Biography Marty McFly (Michael J Fox)
Great Scott !!! 2015 ‘the Future’ has been and gone…..But what happened in the Past ?
Read the Biography of Marty McFly ( Michael J Fox) - Biff Tannen ( Tom Wilson) - Lorraine Baines McFly ( Lea Thompson) - Jennifer Park ( Claudia Wells ) ( Elisabeth Shue )
Plus - Biff - George - Jennifer - Loranine
Martin Seamus "Marty" McFly
Marty was born on June 12 1968 in Hill Valley, California to George and Lorraine McFly.
He was the youngest of three children. He had a brother Dave, who was born in 1963, and sister Linda, who was born in 1965, a family of Irish descent. He has an uncle Joey, who is serving a prison sentence in 1985 and been denied parole again.
There is an implication that Marty is ashamed of his family and does not spend much time at home, preferring to hang out with Doc, Jennifer, or the guys in his band, The Pinheads.
However, Marty's relationships with his family changed after he returns from 1955, with him no longer being alienated by his parents and his father working as a local college professor and a successful novelist in the alternate timeline he inadvertently created.
Marty also meets his great-great paternal grandparents Seamus and Maggie, when he was stranded in 1885. He also meets their infant son William, Marty's great grandfather.
Through his interaction with Seamus and Maggie, Marty discovers that Seamus had a brother named Martin, thus Marty's great-great granduncle.
By 2015, Marty has married his girlfriend Jennifer and has two children, Martin "Marty" Jr. and Marlene.
Little is known about Marty's life prior to the first Back to the Future film, except for the fact that he set fire to the living-room rug when he was 8 years old (in a statement of Marty's to his future parents).
He met his friend Dr. Emmett "Doc" Brown when he was around fourteen after hearing that Brown was a dangerous lunatic. Marty, being the “red-blooded American teenager” he was, wanted to go see what it was all about for himself.
He found Doc’s lab and was fascinated by all his inventions. When Doc caught him, he was glad to have someone who liked his work and their friendship started there
Marty met his future girlfriend Jennifer Parker in elementary school, although they became more acquainted after the fourth grade.
When Marty was fifteen, he sneaked out of the house one evening and set off on his skateboard to meet his friends. However, his mother heard the sound of the skateboard and went after Marty in the car.
At some point, Marty became acquainted with Douglas J. Needles, who would frequently goad him into doing foolish things.
In 1985, Marty plays guitar with his group The Pinheads and likes listening to Huey Lewis and the News, Tom Petty and the Heartbreakers, and Van Halen. Eventually, Marty became the lead guitar player of his band and dreamed of one day becoming a rich and famous rockstar.
He is also a talented skateboarder and proves to be an excellent pistol shot, a skill he has honed by endlessly playing shooting games such as Wild Gunman at his local 7-Eleven.
Marty is a friendly, easy going but accident-prone everyman who can sometimes lack critical thinking skills; he is nevertheless brave in the face of danger and can be very quick-witted and intelligent.
He has shown some good and basic street fighting skills and often throws punches in hand-to-hand confrontations.
He is loyal to his family and friends, regardless of whether or not he is estranged from them. His major character flaw is his pride, which causes him to take unnecessary risks to show others that he is not a chicken.
However, during a visit in 1885, when his ancestor Seamus McFly mentions that his brother Martin was killed in an argument after someone questioned his bravery, Marty begins to re-think his stance on what other people think of him.
By 2015, Marty's life has spiraled out of control due to long-term pain from a hand injury that leaves him unable to play guitar.
This injury occurs in 1985, after Marty accepts school enemy Douglas J. Needles' challenge to a road race after being labeled a chicken and crashes into a Rolls-Royce.
In 1885, Biff Tannen's great-grandfather Buford goads Marty into a showdown, which Marty wins despite refusing to draw a gun against Buford. Once he returns to 1985, he remembers both this event and Seamus' advice and politely declines Needles' challenge, avoiding the collision that would have ruined his musical talents.
This event shows newfound maturity as he often loses his temper when called a chicken. Over the years, Marty learns how to make his decisions on his own terms instead of being influenced by others, thereby changing his future for the better.
MEETING DOC BROWN
On October 2, 1982, Marty was playing his guitar in his garage when he was suddenly confronted by Needles and his gang, who wished to "borrow" Marty's interocitor tube.
Needles was scheduled to play with his band, The Tabascos, that night. However, he had blown the interocitor tube in his guitar amplifier.
Marty was willing to rent his interocitor tube to Needles for $5.00, but Needles replied that he would pay tomorrow when he would bring the tube back. However, Marty accidentally caused Needles to drop the tube when he forcefully grabbed Needles' arm and insisted to be payed upfront.
Marty was then told by Needles that he had to get him a new tube and bring it to the clocktower by four o'clock, or else Needles would beat him up.
Marty was initially hesitant to agree, citing his lack of money and unwillingness to steal. However, he agreed when Needles goaded him by calling him "chicken". Needles then took Marty's guitar and told him he'd give it back when he got him a new tube.
Marty went to a music store and tried to buy one, but was told by the shop attendant that all of the stock was sold to ELB Enterprises. Marty left to go to Dr. Brown's garage to ask for one, but the attendant warned him that Dr. Brown was a real nut case.
Dr. Brown set a series of traps which Marty had to overcome to gain entrance to the garage. After getting an electrical shock after using the keypad on the electrified gate around the garage, a recording stated that he was not "one to foresee" that happening.
Realizing that the wording was unusual, Marty picked up that it was a code, and punched in 1-2-4-C on the keypad. He tried to knock on the door, but no-one answered.
After deciding not to break the window, he attempted to find more clues and found a key underneath an unusual KNOW ENTRY sign. Once inside, he set off elaborately set up a series of objects that caused a chain reaction resulting in him being captured in a net. He pushed his skateboard at the reset switch, which then released the net.
Marty's first meeting with Doc Brown
Einstein, Dr. Brown's dog, then playfully jumped up on Marty, and Dr. Brown himself then entered to greet his guest. He told Marty to call him Doc, as in "What's up, Doc!", and asked him if he was here to apply for the assistant position that he said he had advertised.
Marty told him that he had, and Doc told him that he was impressed that he made his way through the traps, especially his decision to release the net with his skateboard.
Marty then admitted that he hadn't come to apply for a job, but had instead come for an interocitor tube. After Marty assured him that he hadn't intended to rob him, Doc admitted that he had never put out an advertisement for an assistant, but offered Marty the job anyway.
Doc told Marty that he threw out all of the tubes, as he only wanted the box for his Static-O-Matic electric hair chair. Marty then grabbed the tubes out of the trashcan, and went back to Needles.
He gave Needles one of the tubes, and told him that he had stolen the tube from Dr. Emmett Brown. This resulted in Needles being scared, as he knew that Emmett Brown worked on the atomic bomb, and there were rumors that he was radioactive.
Aliases
Marty has had many aliases through the Back to the Future series, usually due to encountering his relatives at some point, such as Lorraine mistakenly thinking his name is "Calvin Klein", due to it being Marty's brand of underwear.
In the first film, Marty uses the alias of "Darth Vader, an extraterrestrial from the Planet Vulcan" while wearing a radiation suit in an attempt to coerce George into asking Lorraine out to the dance.
In Part III, Marty uses the name "Clint Eastwood" when asked by Maggie McFly and later by Buford Tannen. In Back to the Future: The Game, he uses one of the three aliases; "Sonny Crockett", "Harry Callahan", and "Michael Corleone".
Biff Howard Tannen
Is a fictional character in the Back to the Future trilogy. Thomas F. Wilson plays Biff in all three films as well as the Universal Studios ride, and voiced the character in the animated series.
Biff is the main antagonist of the first and second films. Biff's great-grandfather, Buford "Mad Dog" Tannen, fills a similar role in the third.
The character is portrayed as a tall, aggressive, dim-witted and misogynistic bully who obtains what he wants by intimidating others into doing his work for him, or by cheating.
He and his family members are shown to misuse idioms in ways that make them appear stupid and pathetic despite their intention to insult or scare. His favorite insult is "butthead".
The character of Biff is developed with a history that he was born in Hill Valley, California.
He is identified as the great-grandson of Buford "Mad Dog" Tannen, son of Irving “Kid” Tannen and grandfather of Griff Tannen.
Rather than studying in high school, he is depicted as preferring to bully George McFly into doing his homework for him while he drinks and hangs out with his friends.
Feared by most of his schoolmates, he is less brave without his gang (Match, Skinhead, and 3-D). The only person at Hill Valley High school that Biff is depicted as being afraid of, is Mr. Strickland.
Biff had been living with his grandmother, Gertrude Tannen, at 1809 Mason Street for some time by November 1955. In 1955, Biff was depicted as frequently having been seen driving his black 1946 Ford Deluxe convertible around Hill Valley.
Biffs Relationships
In 1955, Biff had a crush on Lorraine Baines who does not return the sentiments. In the original 1985, Biff's marital status is unknown as no mention of a wife was ever made in the trilogy.
The alternate 1985 reveals that Lorraine, widowed after the murder of George McFly, ended up marrying Biff, in 1973, so that her children could live a better life.
In a video clip after their wedding, Biff is asked, “how does it feel?”, to which he replies, “Third time's the charm.” Hence, it stands to reason, that in the original timeline, Biff would have been married (and perhaps divorced) at least once and presumably, twice before.
By 2015, Biff has a teenage grandson, Griff, suggesting that Biff had at least one child by 1985. The animated series reveals that Biff has a son, Biff Jr.
George McFly
Was born on April 1, 1938 in Hill Valley, California. He was the only child of Arthur McFly and his Canadian-born wife Sylvia Miskin, who were living on Sycamore Street as of 1955.
His parents Arthur McFly and Sylvia Miskin were married in 1936. He was also the grandson of William McFly the first member of the McFly family to be born in the United States.
When he was 12, he nearly stood up for a friend, Billy Stockhausen, who was being bullied, but did not and has hated himself for it ever since.
In 1954, he tried reading How to Win Friends and Influence People, but the advice he gained from this book made people stay away from him even more — with the exception of Biff who, on their first encounter at high school, rubbed a hero sandwich in George's face.
George was probably bullied from a very early age, not just by Biff but by other classmates such as Mark Dixon and even by some adults including Stanford S. Strickland
He had been attracted to Lorraine for some time by 1955 (they may have met for the first time upon entering high school) but was too scared to ask her out.
George watching Lorraine get undressed, before getting hit by her father's car.
On November 5, 1955, George and Lorraine fell in love, when Sam knocked George over in his car due to George falling out of a tree into the road (he had been "birdwatching", watching Lorraine get undressed from the tree).
The Baines family took George into the house and Lorraine felt sorry for him. In a "Florence Nightingale" effect, she fell in love with him and they had their first date a week later, at the Enchantment Under the Sea dance.
George had been considering college but waited until the deadline to decide whether or not to send in the application. He knew his father would talk him out of it, so he likely gave up.
Original 1985
George in 1985 before history was rewritten
George and Lorraine were married on December 7, 1958, and moved into Lyon Estates, their first child Dave was born in 1963. followed by Linda McFly in 1966 and Marty in 1968.
Despite these changes, By 1985, George stayed much the same as he was when he was 17.
He was dominated by his now supervisor Biff, most of his colleagues and even his neighbours and even kept the same hair styler.
George did not develop the courage to stand up for himself or even for his wife, which depressed her so much that she became an alcoholic, a smoker and overweight. The story of George's life would be rewritten when Marty traveled back into the past.
JENNIFER PARKER
Claudia Wells
Biographical information
Date of birth October 29, 1967
Age (1955) - Not yet born - Age (1985) 17/18 - Age (2015) - 47/48 - Age (2045) - 77/78
Physical description
Gender Female
Hair colour : Brown (Part 1), Red (Parts 2/3), Blonde (Series), Black/Pink/Blonde (Game)
Eye colour :Brown – (Green (Game)
Behind-the-scenes information
Played by
Claudia Wells (Part 1) - Elisabeth Shue (Parts 2/3)
"Jennifer was terrific, of course. He [Marty] was quite taken by her, even felt that he "loved" her in the most adult sense. She was beautiful and fun to be around and she loved his music. Yet somehow she was not quite as important to Marty as the musical experience.
Perhaps in time she would grow to be vastly more valuable to him, but for the moment Jennifer was of this world and his music was of the next. " —From Back to the Future by George Gipe (quote, page 5)
"Marty, one rejection isn't the end of the world."
—Jennifer to Marty after his audition
"How about a ride, Mister?"
—Jennifer to Marty after he returns from 1955.
Jennifer Jane Parker McFly was the girlfriend, and later the wife, of Marty McFly.
Jennifer was the world's fourth time traveler and the third human one. She was the daughter of Danny Parker Jr. and Betty Parker, and the granddaughter of Danny Parker and his wife Betty Lapinski.
Jennifer and Marty seemed to be "serious" enough for him to introduce her to his best friend, local inventor Dr. Emmett Brown, whom she first regarded as eccentric and strange.
Jennifer is mostly a positive person, knowing what to say to Marty if he needed cheering up, and wondering what happy life she might have in the future.
Biography
Jennifer was born in 1967 in Hill Valley, California. She was Marty's girlfriend, having met him at Hill Valley High School, which they both attended in 1985.
Sometime before 1985, Jennifer met Marty and started dating him, eventually falling passionately in love with him. She also became friends with Doc.
Lorraine Baines McFly
Biographical information
Date of birth : 1938 - Age (1885) - Age (1955) 17 - Age (1985) 47 - Age (2015) 77 - Age (2045) 107
Physical description
Gender : Female
Hair colour : Dark Brown (in 1955/1985), Blonde/grey (in 1985A/2015)
Eye colour : Brown
Behind-the-scenes information
Played by Lea Thompson
"On Marty's right [at the dinner table] was dear old Mom, who was once very attractive and bright. Now, at forty-seven, she was overweight, drank more than was good for her and had more food on her plate than anyone else."— From Back to the Future by George Gipe (quote, page 34)
"Your father kissed me for the very first time on that dance floor." —Lorraine to Marty and Linda
"Biff! Leave him ALONE! Let him go! Let him go!" —Lorraine furiously trying to help George McFly, by attempting to pry an attacking Biff off the latter.
Lorraine Baines McFly
Is the mother of Dave, Linda and Marty McFly and the wife of George McFly. Lorraine liked the attention of boys when she was in school, and lots of them were attracted to her, including both George McFly and Biff Tannen.
Lorraine was not afraid to get what she wanted and often parked in cars with them. Lorraine could stand up for herself and the people she cared about, yet despite this she liked her men to be strong and able to protect her.
She liked thinking back to the "old days", often telling the story of how she originally met and fell in love with George. Lorraine liked to play tennis with her husband and they have been tennis club champions for the past six years by 1985. Lorraine's best friends at school were Betty and Babs, and she could often be found in Lou's Cafe gossiping with them.
Lorraine, aged 17, in 1955
Lorraine Baines was born in 1938 in Hill Valley, California, the eldest child of Sam and Stella Baines. She had five younger siblings: Milton (born 1943), Sally (born 1949), Toby (born 1951), Joey (born 1954), and Ellen (born 1956).
When Lorraine was in elementary school, she witnessed Biff Tannen punching George McFly, and told a teacher, Miss Hodges, about it.
She threatened to send him to a military school in Idaho, but a young teacher named Stanford S. Strickland intervened.
He believed that Biff could be reached with understanding and guidance, but he was proven wrong and later became a very hardened and strict discipliner.
Little else is known about Lorraine's life prior to 1955. What is known is that she had been smoking and drinking for a while, and had "parked" in cars with several boys.
As such, George was probably not her first boyfriend, Lorraine also caught the attention of local bully Biff Tannen but she never took a liking to him.
Original 1955 to 1985
Lorraine, aged 47, in 1985 before the history was changed
Lorraine originally met George McFly on November 5, 1955, when her father Sam Baines almost ran him over with his car. She felt sorry for him, before falling in love with him.
They had their first date a week later at the Enchantment Under the Sea Dance at school, which happened the same day as the famous Hill Valley Thunderstorm.
Lorraine originally had an addiction to alcohol, which she developed as a teenager and carried into her adulthood.
Lorraine and George married on December 7, 1958, and moved into Lyon Estates where they had three kids, Dave in 1963, Linda in 1965 and Marty in 1968.
By 1985, she was depressed at how her husband could not stand up for her or himself infront of people like Biff, she had also turned to tobacco smoking and drinking alcoholic beverages on an everyday habit.
She would always tell her children not to park in cars with members of the opposite sex, under the false pretense that she never did that when she was their age.
Altered history
George and Lorraine before the kiss.
Her life changed in 1955 when "Calvin Klein" showed up in town. Unaware it was her future son Marty, who had traveled back in time in the DeLorean time machine and had accidentally interfered with her first meeting with George, as Marty had pushed George out of the way of her father's car and George ran away with his bike.
She developed a crush on him. Marty knew he had to get his parents together to prevent himself, as well as his elder siblings, from being erased from existence.
"He's a dream!" —Lorraine Baines about Calvin Klein (Marty)
After finding out that Lorraine wanted a man who would stand up for her and protect her, these being qualities which George lacked, he came up with a plan where he would pretend to take advantage of Lorraine at the Dance, and the wimpy George would "rescue" her from him.
Marty was shocked when he found that Lorraine liked parking in cars with boys as, in 1985, Lorraine had told him that she found it terrible when girls did so.
Lorraine noticed that Marty was nervous and told him not to be in the situation of dating. Lorraine then kisses him incestuously, much to Marty's shock.
However, Lorraine stops kissing him on the sudden realization that the kiss somehow felt wrong. While still unaware of who Marty truly was, Lorraine said that it did not make sense and it felt as if she was kissing one of the men of her family, such as her grandfather or one of her brothers.
Marty clarifies her reasons of the kiss feeling wrong, assuring her that his feelings for her are purely platonic. Unfortunately, or perhaps fortunately, Biff Tannen showed up instead and tried to force his affection on Lorraine.
Biff's underlings overpowered Marty, hitting him then forcing him into the trunk of a car. Immediately afterwards, George arrived, and delivered his rehearsed lines for Marty not to get fresh.
George was then shocked that the faked rescue had become real. Biff ordered George to beat it. George was about to do so, but momentarily remembered a lesson in "standing tall" from a soda jerk at Lou's Cafe.
George then stated (albeit shakily) "No Biff, you beat it. You leave her alone!" This enraged Biff to the point he then grabbed George's left hand. After initially being overpowered, George's grimace of pain turned to one of anger when he saw a laughing Biff knock Lorraine to the ground when she tried to help him.
An enraged George clenched his free hand into a fist, then bashed Biff in the face, knocking him out, and Lorraine fell in love with the newly-confident George. They kissed for the first time that night and history was back on track. By 1985, she was much healthier and happier than she had been in the original 1985.
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Back to the Future - Fashion
Time Travel and the fashion of the era follow hand in hand, especially for Marty McFly, (maybe not so much for Doc Brown !) …..
So we look into the fashion in 1985, 2015, 1955, and 1885 !
The clothing and accessories that people wear are a distinctive part of the popular culture. Clothing styles change not only with the time period, but also communicate one's social class and occupation. Those who don't dress appropriately are often viewed as outcasts or rebels, or at the very least, odd and out-of-place, so Marty McFly's clothing proved to be an endless source of embarrassment for him during his adventures, in spite of Dr. Emmett Brown's attempts to be prepared.
They generally had three options when they traveled from one time period to another:
They purchased and changed clothes after arriving in a new time period
They tried to find appropriate clothes for their destination before traveling
They neglected to change clothes and just endured the awkwardness of attracting attention.
Note: Outfits are described here under the time periods the clothing came from, which were not necessarily when they were worn.
Back to the Future Fashion
Outfit 1: Marty McFLY
This Marty McFly outfit is probably the most iconic of them all.
Everything from the vintage wash denim jacket and faded dad jeans, to the orange puffer vest, looks as good now as it did back in ’85.
Trainers
They’re the overwhelmingly popular Nike Killshot 2 which was originally released in the ’80s and saw a surge in interest when it re-released in 2009, and subsequently in 2014 in collaboration with J.Crew.
Denim Jacket:
Quilted Vest:
Tennis Sneakers: Nike Killshot 2 (They’re the overwhelmingly popular Nike Killshot 2 which was originally released in the ’80s and saw a surge in interest when it re-released in 2009, and subsequently in 2014 in collaboration with J.Crew)
Aviator Sunglasses: RayBan
Retro Calculator Watch: Casio
Marty
"Life preserver" First day of school in 1955
Marty wore a red and gray jacket (that he took off in the school cafeteria), white shirt with light blue rectangles, brown pants, brown loafers (slip- on shoes), and had hair tonic in his hair.
"Darth Vader"
The day of the skateboard chase – Marty wore the same red and gray jacket, this time with a black shirt with red chain link pattern, brown pants and Converse Chuck Taylor All-Star shoes.
"That zoot suit"
Marty wore a gray wool suit, a white shirt and narrow red tie, that afterwards he called a “zoot suit”. "Get yourself some 50’s clothes ... something inconspicuous!"
—Doc to Marty
Marty in his "inconspicuous" disguise.
"Something inconspicuous"– Marty chose an “inconspicuous” outfit to cover his basic outfit; he added a black felt fedora hat, black leather jacket and dark sunglasses. When Biff confronted Marty, he referred to the outfit as "that stupid disguise".
After getting to Biff's car, Marty took off his sunglasses. At the Enchantment Under the Sea dance, Biff's gang member Match wondered how he changed his clothes so fast. After being knocked down by a door as his other self ran through it, and when Biff stole back the almanac, Marty was forced to abandon the fedora, which had fallen off his head. When taking Doc back to his mansion, Marty put the jacket and Nikes by the fireplace, along with the letter, so they could dry off.
At the Delgado Mine – Marty wore the same clothes as the day of the skateboard chase, and added a tan overcoat.
Marty's 1955 western outfit
"Clint Eastwood never wore anything like this" – Doc prepared Marty to travel to 1885 with a pink and blue shirt with long, yellow fringe running along the chest, back and sleeves, under five embroidered atomic model designs on the front and back of his shoulders, a red bandana around his neck, red corduroy pants, an ornately tooled belt with golden sunburst buckle, white Nike sneakers, and carried along a white cowboy hat and boots that were too tight.
Outfit 2: Biff Tannen
Oh Biff — the mild mannered, charismatic antagonist of the Back To The Future trilogy.
Contrasting shirt tie combo, for the pants I tailored wool (herringbone) trousers. And for the shoes, black leather with white soles to complement the shade of the knit tie.
· Bomber Jacket: (alt) Grey
· Charcoal Wool Trousers
· Black Oxford Shirt
· Grey Knit Tie
· Black Minimalist Sneakers
Outfit 3: George McFly
The timid George McFly
· Harrington Jacket: ASOS
· Olive Corduroy Pants: Everlane
· Grey Oxford Shirt: Everlane
· Black Frame Eyeglasses: Warby Parker
· Navy Suede Chukka Boots: Thursday Boot Co.
Outfit 4: Emmett Lathrop ‘Doc’ Brown
Doc Brown, the effervescent inventor of the first time machine, built out of a DeLorean sports car.
Often in a state of shock and awe, Doc had some questionable outfits throughout the series.
· Khaki Trucker Jacket: Flint and Tinder (alt)
· Slim Fit Alpha Khaki: Dockers
· Stripe Polo Shirt: Amazon Essentials
· Suede Sneakers: Koio
“…your future hasn’t been written yet. No one’s has! Your future is whatever you make it. So make it a good one!”
https://www.gentlemanwithin.com/back-to-the-future-fashion/
The clothing and accessories that people wear are a distinctive part of the popular culture. Clothing styles change not only with the time period, but also communicate one's social class and occupation.
Clothing in 1985
"C'mon, I had to change! You think I’m going back in that-- that zoot suit?"
—Marty
Basic outfit –
During most of his adventures, except when he changed clothes in 1955 and 1885, Marty wore Guess blue jeans with black 3/4" suspenders, a red t-shirt, lavender ("purple") Calvin Klein underpants, and white Nike Bruin shoes with red swoosh and backtab
(no word Nike on them until he visited 1885) with gray socks (changed to white socks when he visited 2015).
School outfit –
From Friday before school through his first day in 1955, Marty added a Guess Marciano two-tone blue denim jacket with an "Art in Revolution" button, a Fender P-Bass pin and a white checked Shah Safara shirt to his basic outfit.
He accessorized this with a Casio CA50W digital watch on his left wrist, a silver Aiwa model HS-P02 Walkman, and mirrored Zeiss aviator sunglasses with a sweatguard in the morning.
"Life preserver" – From the evening at Twin Pines Mall through his first day in 1955, Marty added a dark orange Class-5 bubble down vest to his school outfit.
Tales From Space – Doc gave Marty a yellow full-length radiation suit for protection when loading the plutonium. Due to the similarity of his outfit to that of a space alien on a comic book cover, his outfit scared the Peabody family and an elderly couple driving past Lyon Estates in 1955.
"Darth Vader" – Marty wore the yellow full-body radiation suit, a hair dryer from Doc Brown's suitcase tucked into a belt, and held his Aiwa portable stereo cassette player.
Doc Brown
"Devo outfit" – Doc wore a white full-length radiation suit, over a green print shirt, white undershirt, black pants and orange Nike Vandal high-top shoes. He also had a watch on his left arm, and digital stopwatch on a lanyard around his neck.
Train shirt – While in 2015, Doc changed back to 1985-style clothing, a yellow Hawaiian shirt with a cartoon train pattern and brown cargo pants, expecting to return Marty, Jennifer and Einstein back home right away.
Jennifer "Hey Mom, nice pants" -
Jennifer wears a blue vest over a white shirt and has pink flower pants.
Other distinctive clothing of 1985
§ Dave wore a uniform for his job as a Burger King restaurant server.
§ George owned a suede jacket.
§ Biff wore a green warm-up outfit on Saturday; a purple warm-up outfit on Sunday.
Clothing in 1955
Biff
"Biff" - On Saturday, Biff wore a red short-sleeve pullover shirt.
School - At school, Biff wore blue jeans and a shirt with a checked red and white pattern.
For the rest of the week, Biff wore a grey jacket, a white T- shirt and black pants. He added a black shirt and a white tie for the Enchantment Under the Sea dance.
Lorraine
"You’re so ... thin" –
On Saturday, November 5, Lorraine wore a pink and purple plaid dress which had a rounded collar, a matching belt around the waist, and a pink bow at the neck. She also wore white socks.
School –
At school, Lorraine wore a blue blouse with a silver brooch and a purple pencil skirt. She also wore her hair in a bun.
"I think you'd look better wearing nothing at all"
On Saturday, November 12 at Ruth's Frock Shop, Lorraine wore a pink knitted sweater, saddle shoes and a novelty black cotton giraffe-print circle skirt which Biff lifted up to expose her panties once outside the shop.
"Well, lookee what we have here"
At the Enchantment Under the Sea dance, Lorraine wore a pink strapless dress, bought with Babs at Ruth’s Frock Shop, which she covered with a white sweater. When she leaned over in the car, Biff was able to see down the front of her dress.
Doc
On Saturday evening, Doc wore a silver robe with black lapels, white shirt, and white knit tie, and dark pants. During the rest of the week, he wore a long white laboratory coat, and put on a pair of green safety goggles when demonstrating the clock tower model. The following Saturday, as he tried to connect the electrical cable, Doc was wearing shoes with Velcro closures that had not yet been invented,[5] although he might have found them in his future counterpart's suitcase.
Other distinctive clothing of 1955
§ Milton Baines wore a coonskin cap, popularized by Disney’s Davy Crockett films.
Clothing in 2015
"First, you have to get out and change clothes."
—Doc to Marty upon arrival in 2015
Doc in his 2015 yellow coat.
Doc Brown
* Marty in his future son's outfit.
"Marty, you’ve got to come back with me"
Doc appeared in Marty’s driveway wearing a long yellow coat, a red shirt with Japanese symbols (no undershirt), silver wraparound glasses with internal video display, and a plastic transparent necktie.
Train shirt – (See: 1985 Doc Brown)
Marty
"You're the spitting image of your future son" –
* Marty Jr.’s outfit and Marty’s disguise consisted of an auto-adjusting and auto-drying jacket (though Marty Jr.'s jacket was broken on the left sleeve), blue jeans worn inside-out (Marty only turned his pockets out), white socks, white Nike MAG power-lacing shoes and a color-shifting lenticular baseball cap.
Marty Jr. wore a white t-shirt with a logo featuring a plus and minus sign. 47-year-old Marty wore a brown business suit over a light brown shirt and brown and yellow multiple ties with rising sun motifs.
Biff
Biff's outfit consisted of a red quarter zip sweatshirt and black, white and green plaid pants.
Griff
Griff's outfit consisted of a helmet with sharp metal spikes, a black-ribbed light green jacket over a black chainmail shirt, black pants and black boots adorned with a sharp metallic rhinoceros-like horn.
Marlene
Other distinctive clothing of 2015
§ Multiple ties worn by Terry, Goldie Wilson III and Marty Sr.
Clothing in 1985A
Lorraine
Lorraine Baines McFly, aged 47, in 1985A clothing and breast implants.
"You’re so ... big" – Lorraine Baines McFly wore a black, belted pant suit with patterns of multicolored dots, and high heeled shoes. The blouse had a low neckline revealing her breast implants.
Biff
Although Biff was fabulously wealthy as a result of his cheating with the almanac in 1985A, his sense of dress was still tacky as the Biff of the original timeline. His outfits were gaudy and ugly, with gold chains and bright blue blazers, giving him the appearance of a lounge lizard. After coming out of the hot tub, Biff wore a blue bathing robe over black swim shorts.
Other distinctive clothing of 1985A
§ Biff's bodyguard Match wore a white cowboy hat.
§ Biff's goon 3-D no longer wore his nominal 3-D glasses as the 3-D movies fad had long since faded by 1985. However, unable to part with the nickname, he wore aviator sunglasses which he had custom made, the left lens to be red and the right lens to be blue.
Clothing in 1885
"You can’t wear those futuristic things in 1885. You shouldn’t even be wearing them in 1955."
—Doc Brown at the Pohatchee Drive-in
Marty
"Clint Eastwood never wore anything like this" – (See: 1955 Marty)
Marty's 1955 western outfit plus hat.
"You sure look like Seamus McFly" – Same as "Clint Eastwood never wore anything like this" (see: 1955 Marty), with a straw derby hat[6]
"Some respectable clothes and a fine hat" – Most of the week, Marty wore a long, blue workshirt, brown jeans, and a brown sarape over long underwear, with a brown flat-topped hat, and boots.[7] The outfit was very similar to the one Marty saw Clint Eastwood wearing in A Fistful of Dollars.
"Go ahead, make my day" – One morning, Marty woke up wearing his long underwear with a half-fastened drop seat, and put on his hat and gun belt to practice in front of the mirror.
Behind the scenes
1955
Bob Gale said that costume designer Deborah Scott found nearly all the clothing for the film in the studio’s wardrobe department; they didn’t have the budget for her to make many original items.[8]
Lea Thompson found the pink dress uncomfortable to wear and even more uncomfortable to dance in, and would walk around the set in the 1950s corset bra and crinoline underskirt to avoid wearing the dress, and once even shocked her mother when she visited her on the set. But despite that, she still hung on to one exemplar of the dress that was given to her, and helped out with the filming of the second movie when the original dress had been lost, and she provided it herself.[9]
The black fedora Marty wore as apart of his 'something inconspicuous' disguise was made by the Stetson hat company, especially for Michael J. Fox.[10]
2015
Costume designer Joanna Johnston said she was terrified at the prospect of designing the clothing of the future, making costumes for the cast and 150 extras from scratch, since Bob’s concept did not have a basis in anyone else’s work. For a future society in which men and women are truly equal, the clothing styles would exaggerate the difference between the sexes. She decided to use a very wide variety of fabrics in bright "but not fluorescent" colors.[11]
1885
Costume designer Joanna Johnston was already familiar with the clothing for the period, having worked on the movie Tess, but found that most of costumes that were made for the Westerns of the '40s, '50s and '60s lacked the authenticity she was looking for. After further research, she created clothing for the main characters and as many as 500 extras based on the original clothing patterns she found.[12]
Back to the Future is being cited as a key fashion inspiration, it will come as no surprise to any fans of the film or, indeed, of fashion.
So much so, in fact, that Eastpak is reissuing the original rucksack Marty travelled through time with this season, sold exclusively at Selfridges (although if you have a DeLorean, you are advised to time-travel and buy one of the 80s originals, as Eastpak is certainly not selling them now at 80s prices).
Marty rocking double denim and high-tops
Marty himself has been something of a hipster template for a while now: the double denim, the checked shirt, the high-tops. If only Marty had arrived in east London 2014 as opposed to Hill Valley 1955 (and, later, 2015 and 1885), he would have fit right in and instantly sparked a sleeveless parka revival.
As for the other characters,
Lorraine Baines (later McFly, then Tannen) has, waist up, a proper Alexa Chung look going on, with her Peter Pan collars and demure little jumpers.
Biff Tannen's sports jackets are definitely in style, for men and women, while George McFly's thick-rimmed glasses have been a fashion staple since the dawn of time (maybe alittle exaggeration there)
As for what Back to the Future fashion pieces the biggest vote has to be for Lorraine's wacky 1955 hairstyle, in which her hair zigzags across her forehead
And honestly? Yeah. The clothing is superb. It doesn’t feel costume-y or try hard like The Great Gatsby or Gangster Squad; in BTTF, the period looks are natural yet interesting, feeling cool but dated.
As this film was made in the 80s, that the period they were parodying (1950s) wasn’t that historical. It was like (literally) looking at pictures your parents wore and checking local thrift stores for clothing ideas.
This all probably contributes to why Hill Valley in 1955 feels real and not filled with some wise-cracking gangster with a down-on-his-luck shoeshine kid.
Clearly, there is a huge difference between menswear in 1955 and 1985, but there are just things that make the 1950’s stand out when compared to other eras, but the 1950’s was a remarkably different than the 1940s.
In this post war time, you had the first inklings of true casual style. Instead of sportcoats as sportswear, you had dedicated garments like Hollywood jackets.
Shortjackets with point collars and bomber styles were extremely popular to wear when you were off work or just a youth.
Jeans and converse were the new go-to for casual pant/shoes, though a few still wore pleated
Hollywood waist gab slacks and derbies. And let’s not forget the explosion of prints (tiki and atomic) and tone-on-tone variations that made sportshirts truly “sporty”.
People today call it the Bold Look for tailoring (due to the heavy shoulder pads and dropped button stance) and Rockabilly for casual style. Either way, it’s pretty cool.
Good examples of the fun casual shirts in the 1950s.
Short jackets of all kinds were common, this time done with fun details.
Great shirts and an epic trouser to boot.
Ties in the 1950’s were more about abstract vertical designs. Some were slim, others were wide.
Leisuire jackets were all the rage.
BTTF gets all of this right, presumably by the use of true vintage (since the patterns and designs are really specific) as according to the wiki, they only used whatever was in Universal’s costume warehouse.
However, warehouses could definitely still make good reproductions! We’ll never know what is true vintage or not, but I’m leaning on the use of true vintage pieces since would only be 30 years old and wouldn’t be hard to source and get in decent condition.
Marty McFly
We all know Marty McFly’s epic 1985 look. Denim jacket on slim high waisted jeans, with a solid colored crewneck under a button up shirt; we also can’t forget the life preserver and white/red Nike Bruin sneakers. It’s a classic outfit that isn’t actually out of place today, since you could wear it at a Halloween costume or as a generic dude in LA (maybe lose one of the layers though).
That period paved the way for “non-traditional” garment mixing that ushered in the current way we approach casual style. Since this is only 15 years from the period of overalls with oxfords or puffers and military chinos, it’s no surprise that wanna-be rocker Marty McFly would also wear something as weird.
However, as we saw in the movie, he stuck out like a sore thumb when he was accidentally sent back in time to 1955. Luckily with a rich heir like Doc Brown as a friend, Marty is able to get some period accurate clothes and fit into this iteration of Hill Valley.
Marty’s first look for a new day in 1955 is a damn good one: every piece is so great. Firstly we can see the two-tone leather-gab jacket with a point collar. Two-tone jackets were popular as youth novelty wear. I’m pretty sure the one in the film is a reproduction, but if you found that as vintage it would be worth a lot.
Underneath the jacket, Marty has a block motif sportshirt that he’s rolled up his sleeves a la James Dean. Patterns like this are what make this era’s shirts so much fun.
He has white socks and penny loafers!
With the shirt, he finishes this perfect 1950’s casual-youth outfit with (presumably) pleated hollywood waist slacks that seem to be made of some silk or rayon blend. providing crunchy/shiny texture that fits in with the era’s obsession with patterns and atomic themes.
Overall, it’s a great uniform to do: sportshirt + high rise trousers + casual jacket. Marty wears the look well, with everything fitting perfectly. In fact, this vibe not only informs some of the looks you can see at Inspiration LA It may not be atomic or tiki, but alohas are certainly in full force in today’s spring/summer. Even the thin belts are coming back.
They need to make prints like this again!
When Marty gets into the epic skateboard chase, he retains the two-tone jacket but brings in a new shirt and pant combo. The shirt, now a red/blue piece with a wild diagonal stripe mixed with oversized squares is an EPIC one. Its a bold pattern, which again makes the 1950’s unique in it’s choice of casual patterns. It just has that retro appeal that I think would look great under a sportcoat, if there were just makers that had it (since a true vintage one would no doubt be expensive).
Note here that he’s now wearing some straight cut blue jeans. It’s different than his slightly acid-washed ones from the 80s, mainly in how it drapes. They’re not overly wide, but moderate, ending with a cuff. They look how I want my jeans to fit with proper drape. Again, Marty kills it.
At some point, Marty swapped his Corteze with black converse. Looks very 50’s when worn with cuffed blue jeans.
Another fun gab sportshirt that is worn untucked with a white undershirt base layer.
Note the two-tone coloring. Very 50’s.
His last major 50’s look is a sportcoat-trouser combo, worn to the Enchantment Under the Sea Dance. We don’t really get a good look at the full cut or details, so we’re left wondering if this is a true 50’s jacket (or designed like it) or something from the 1980s that they tried to pass off.
The choice of odd trouser, a charcoal grey fleck Again, this was a time of exploring fabrics and cuts in the realm of tailoring, and while illustrations may keep everything clean, photographs from the era showed that the youth always had a mishmash of things. It’s probably because they didn’t have dozens of trousers to begin with.
The wide cut may be inspired by the zoot suit (Marty does reference it in the film, but zoot suits were more of a 40s thing IIRC), but he rocks it all the same.
Since you get to see it in full force (along with white socks and black two-tone derbies) while he’s playing the guitar, perhaps it’s his way of exuding that rebellious rocker chic in 1955. He certainly stood out amongst the crowd!
Doc Brown
We don’t really get to see much of Doc Brown’s attire until Marty goes to visit him in 1955; Doc is just in a white jumpsuit in the Lone Pine Mall.
When Marty visits him, Doc seems to wearing a variation on what we’d expect a well-to-do heir would wear at home. A pink shirt (the 1950’s loved color, if you couldn’t already tell) and a white single stripe tie are fun nods to the fact that he’s an adult, but you get the affluent charm with an epic silver dressing gown.
With a scale-esque texture and it’s moderate black satin peak lapels (echoed by the pocket piping), it definitely has that post-war fun vibe.
When Doc goes with Marty to Hill Valley High to check out Marty’s parents, Doc has on a very typical “casual man” outfit. The tiki shirt is a no brainer at this point, but note the cool gab jacket he has on.
It’s definitely some form of leisure jacket with modest lapels, patch pockets, and a fun little monogram on the patch. Jackets like this were casual but they clearly took after the classic sportcoat design; it looks smarter than simply wearing a leather jacket or gab short jacket.
Also take note of his straw fedora (I don’t think it’s technically a panama hat). Instead of the traditional black band, he instead has an abstract design as a ribbon, which was a common trend in the 1940s-1960s for straw hats. It also just makes the hat much more casual, which is one of the reasons why it’s hard to wear fedora-type hats often.
Flecked trousers. The 1950s loved fleck.
A checked asymmetrical sportshirt with a yolked pocket flap.
Look at Doc’s weird shirt! Super cool and novelty style that was popular in the late 40s-50s. Finding one today would be rare and expensive.
Doc Brown’s last outfit in 1955 is hard to make out, as he wears an balmaccan style rain coat for the climax, but his polo-style shirt deserves some recognition. Like so many other pieces we’ve seen, the shirt features a fun print, consisting of red and black squiggles.
The shirt has a contrast collar/placket and cuffs, which again fits in with many of the stylistic choices of the era. I’m not sure if I would wear it today, but more brands should definitely take a page out of the era and make something “new”!
Marty’s dad, at least this version of him, dresses like a dweeb because he is a dweeb. It’s supposed to be 1985, where RL and other mall clothes are in full swing, and yet he dresses like a caricature of a 1960’s accountant.
Short sleeve shirt, repp tie, pen pockets, and browline glasses, all contribute to it. I mean I’ve worn socks and shorts together, but I don’t think it looked this bad.
I mean, it makes sense since the film is portraying George as someone who is unlucky, who gets bullied, and gathers no respect.
A flecked short jacket.
In 1955, George McFly actually dresses pretty decently! He’s not exactly sticking out like a nerdy sore-thumb. Like Marty, he wears a few different sportshirts and short jackets, though in comparison, they’re much more plain. George could also benefit with a better fit, but it’s not terrible. At least in most cases.
What George does make a habit of doing is wearing his sportshirts fastened all the way to the top. Now this was done back in the day, but based on photos and illustrations, sport collars were definitely best worn open.
It’s a nerd thing to do that came back in the mid 2010s as the “air tie” and always results in the wearer looking “closed up”. And since George is a nervous guy with no friends or confidence, it works perfectly.
I like the checked cloth and red buttons.
In one scene, George actually wears a two-tone Hollywood Jacket! Like with Doc’s ivory jacket, these are meant to be a casual-yet-tailored approach to casual wear. You’ll see that the cut and design are similar to a chore coat’s, just with shoulder pads and “formal” cloth.
George’s brown gab short jacket has shoulder pads and is a size or two too big for him. Also see how he’s got his shirt buttoned all the way up.
An interesting cotton short jacket with a wider collar and hand warmer pockets. Very cool.
George goes all out for the dance, mainly because it’s his big moment to “save” Lorraine. A white dinner jacket and black tie is hard not to separate from James Bond (or Casablanca), and its actually the first time George wears something that fits him well. It’s still in the 1950’s aesthetic, so he has padded square shoulders, a low button stance, and closed quarters.
When we return to good ol’ modified 1985, accounting-nerd George has been replaced by a true chad version. There are no short sleeve shirts and browline shades here. Instead, he has a very 80s biz-caz outfit consisting of a moleskin blazer, vibrant red polo, and pleated slacks. It’s not bold, but since this is a “normal” outfit, it contrasts against George’s first appearance.I also love the aviators for max 80s cool.
Biff Tannen
Biff. When we first see him, his commandingly bold 70’s outfit just screams like a guy who peaked in high school and still bullies others. Which is definitely true.
It’s such a weird look that actually has some prep vibes to it, mainly with the use of a navy brass button blazer and plaid odd trousers; I think I may even see a white braided belt.
1985 Biff actually dresses rather “normal” for the era, though he stands out for his boisterous character and sheer Kingpin-like aura.
It’s all just sportshirts, white crewneck tees, and jeans, nothing to write home about. but with it just being done with jeans and sneakers, it feels boring, mainly because its an easy way to do a 1950s look. It’s easy to replicate, but don’t forget that a sportcollar makes a world of difference; a regular standing collar wouldn’t achieve the same effect.
I guess the point is that Biff is just a regular old bully, contrasting against George’s plain looks that utilize jackets and Marty’s much more interesting take on the era.
Biff’s jacket of choice is a bomber style one that has black contrasting collar and cuffs. Can’t you see how popular two-tone clothing was in those days? Like Marty’s leather jacket, this one also ends around the waist, but instead of it just being a plain bomber design, Biff’s jacket has decorative front pleating. Don’t ask why, it’s just for show.
Like with the shirt patterns, I wish we also had more vintage-inspired jackets like this!
A black shirt and bold tie? I guess stereotypical prom style was a thing even in 1955.
Others
Strickland has a bowtie and suit, but if you look closely, the suit is very 80s with wide shoulders, open notch and low buttoning point.
In 1955, he has a suit that clearly has more weight and features a fun shadow stripe, a common thing for vintage suits.
Ivy style isn’t really in the film other than the committee deciding on the band. 80s ivy is just like 70s ivy tbh: just a more exaggerated and bold version of 60s ivy.
Goldie Wilson also wears a bar motif sportshirt, though with the wide collar, it might be from the 40’s. That makes sense, since he might not have access to current fashions.
Lorraine’s dad wears a car coat (an overcoat with a shorter length). He has a fedora, which gives him an “adult” look. Not sure if the trouser fit is right though.
As can be expected, Lorraine’s dad has a gab sportshirt. The shorter collar points and higher buttoning point is period accurate to the 1950s.
So much great stuff here, from the faded, cuffed denim and saddle shoes to the absolutely epic novelty knitwear. I’m very glad that the youth have a variety of style!
Striped shirts are what kids wore back then, not flat caps, plus-fours, and suspenders.
Biff’s gang all have variations on casual style. Is that a knit tee I see? Wish we could see the ribbing!
More variety in style here and it all looks period. Love the kid’s pastel blue pleated pants, the red sweater, and what I think is a Cub Scout uniform. Check out that tiny brimmed hat!
Marvin Berry and the Starlighters all wear 50’s silk dinner jackets with their quintessential square shoulders and low button stance. Instead of bowties, they have matching continental bow ties.
Great short jacket.
Conclusion
BTTF is a great example of a movie that makes 1950’s clothing seem accessible and easy. There isn’t a big focus on tailoring, which probably makes it much more palatable. Instead, we see casual 50’s, rockabilly-esque style, which informs a lot of the heritage-Americana that is so easy for guys to wear. Sportshirts and cuffed jeans should get you through the most of it.
The real way to make it interesting is by checking out how Marty does it. Instead of plain shirts, he wore fun patterns that made his attire stand out among the others. It might be vintage and dated, but I certainly love the personality they bring to an outfit, especially since today you can refine it by wearing with loafers or a sportcoat instead of on its own.
Bonus points for those epic two-tone jackets (or leather jackets in general). I’m not sure if the world is ready for the return of hollywood jackets, but after the rise of chore coats and safaris, maybe there’s room for it.
Overall, I think a lot of guys who are searching for a more interesting way to dress can take some cues from this. BTTF did a great job and since it didn’t go too crazy (note the lack of flat caps, which if included would just be inaccurate), it comes off as classic and actually wearable.
I love this movie and I hope you enjoyed this dive into the costuming
Always a pleasure,
https://streetxsprezza.wordpress.com/2020/06/21/the-menswear-in-back-to-the-future-1985/
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Ghostbuster - Ecto 1
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/3/31/ghostbusters-ecto-1
Cars of Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/10/the-cars-of-back-to-the-future-55-
Back to the Future Fashion
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/19/back-to-the-future-fashion-te2yx
Ariel Leader
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/17/ariel-leader
Back to the Future - Hill Valley History
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/2/hill-valley-history-jxrr4
Back to the Future Gadgets and Trends we have in 2021
Doc Browns Biography and the History of his DeLorean Time Machine
Marty McFly Biography also featuring Biff, George, Jennifer, Loranine
Back to the Future - Hill Valley History
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/2/hill-valley-history
Back to the Future - Detailed storyline
Back to the Future - How to generate 1.21 Giggawatts / Jiggawatts with Mr Fusion
What is a Fat Bike ? And where did the idea of Fat Bikes come from ?
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/1/10/fat-bike-what-is-a-fat-bike-history
The Time Paradox explained - Back to the Future
The Sinclair C5
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/1/9/sinclair-c5-
Mini Jeep Mini Review
https://www.sandstoneproductions.co.uk/blogtothefuture/minicoolsterjeepreview
Hoverboards - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/12/13/hoverboards-
How does the Time Machine work - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/how-does-the-time-machine-work
The DeLorean Motor Company - What did it fail ? Or did it ?
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/whydiddeloreanmotorcompanyfail
The DeLorean Motor Company - History
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/deloreanmotorcompany
The Flux Capacitor - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/fluxcapacitor
Is Time Travel Possible ? And what would it take ? Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/istimetravelpossible
External links
§ https://backtothepredictions.com/category/fashion/
§ https://backtothepredictions.com/category/fashion/clothing/
§ https://backtothepredictions.com/tag/clothing/
§ https://backtothepredictions.com/tag/fashion/
References
1. ↑ http://www.bttf.com/forums BTTF.com Message Board
2. ↑ http://www.bttf.com/forums BTTF.com Message Board
3. ↑ http://www.bttf.com/forums/topic.php?tp=38901-I+FOUND+IT%21+This+is+like+finding+the+holy+grail...+I+have+found+the+Marty+McFLy+Vest%21%21%21#
4. ↑ BTTF III novel, p. 38, 39
5. ↑ Velcro 50th Anniversary : Timeline, see "1985".
6. ↑ BTTF III novel, p. 73
7. ↑ BTTF III novel, p. 98, p. 205
8. ↑ Feature Commentary with Bob Gale and Neil Canton, Part I, at about 1:10.
9. ↑ Gaines, Caseen, We Don't Need Roads: The Making of the Back to the Future trilogy, p. unknown
10. ↑ http://www.icollector.com/Back-To-The-Future-2-Marty-s-Something-Inconspicuous-Fedora-Michael-J-Fox_i20788290
11. ↑ Klastorin, Michael, and Sally Hibbin, Back to the Future: The Official Book of the Complete Movie Trilogy, p. 71-72.
12. ↑ Klastorin, Michael, and Sally Hibbin, Back to the Future: The Official Book of the Complete Movie Trilogy, p. 60-61.
www.sandstoneproductions.co.uk
Time Paradox Explained - Back to the Future
Great Scott !!! We feature Doc Brown’s Time Travelling DeLorean in our Blog about one of the wonders of Time Travel the Time Paradox. What is a Time Paradox - How does it relate to Time Travel and we discuss the science involved.
Time travel paradox Explained
The Earth rotates around the sun - the sun rotates around the galaxy - the galaxy moves in the universe. All that being said, if the time machine were possible, the DeLorean would be in a different place, and not the same place each time it moves into the past or future.
Here’s one possible answer: The time machine is still affected by the gravitation pull of a body such as that on Earth.
Expounding upon that: Views from inside the time machine indicate that the DeLorean time machine is traveling through a portal that only opens when the machine reaches 88 miles per hour.
Since time travel hasn't been witnessed, it's plausible that the unopened time portals are held in place by the Earth's gravity or by a physical force not yet proven. The ideas behind the first paragraph, about Earth's movement in space, have been discussed in the article about spatial displacement.
Behind the scenes
The word "paradox" is often used to describe a mystery or an unanswered question. eg :
Paradox was also the title of the musical score played during the scene in Part II in which the time-traveling Doc Brown talked with his younger self while handing himself a wrench to attach the electrical cable to the lamppost in 1955; since Doc Brown caused a "pair o' Docs" to occur.
Though many paradoxes arise in the trilogy, Doc may be overzealous about them because, though the effects obviously happen, the risk of destroying the space-time continuum may not really exist, mearly being a fabrication of Doc's mind to give reason to fix time-lines.
Evidence of such exists, because 1985 Doc was willing to correct 1955 Doc with the wrench size and give him the suggestion that he was conducting a weather experiment as well as telling him there was going to be a storm. He also gave 1955 Doc information on how to repair the DeLorean, via the letter, while he was stuck in 1885, knowing the risks.
There is nothing in Einstein’s theories of relativity to rule out time travel, although the very notion of traveling to the past violates one of the most fundamental premises of physics, that of causality.
With the laws of cause and effect out the window, there naturally arises a number of inconsistencies associated with time travel, and listed here are some of those paradoxes which have given both scientist and time travel movie buffs alike more than a few sleepless nights over the years.
The time travel paradoxes which follow fall into two broad categories:
1) Closed Causal Loops, such as the Predestination Paradox and the Bootstrap Paradox, which involve a self-existing time loop in which cause and effect run in a repeating circle, but is also internally consistent with the timeline’s history.
2) Consistency Paradoxes, such as the Grandfather Paradox and other similar variants such as The Hitler paradox, and Polchinski’s Paradox, which generate a number of timeline inconsistencies related to the possibility of altering the past.
1: Predestination Paradox
A Predestination Paradox occurs when the actions of a person traveling back in time becomes part of past events, and may ultimately causes the event he is trying to prevent to take place.
This results in a ‘temporal causality loop’ in which (Event 1) in the ‘past’ influences (Event 2) in the ‘future’ (time travel to the past) which then causes (Event 1) to occur.
With this circular loop of events ensuring that history is not altered by the time traveler, and that any attempts to stop something from happening in the past, will simply lead to the cause itself, instead of stopping it.
This paradox suggests that things are always destined to turn out the same way, and that whatever has happened must happen.
Sound complicated? …… O.K this may sound a grim, but just for a moment Imagine that your lover dies in a hit-and-run car accident, and you travel back in time to save her from her fate, only to find that on your way to the accident you are the one who accidentally runs her over.
Your attempt to change the past has therefore resulted in a predestination paradox. One way of dealing with this type of paradox is to assume that the version of events you have experienced are already built into a self-consistent version of reality, and that by trying to alter the past you will only end up fulfilling your role in creating an event in history, not altering it.
– Cinema Treatment
In ‘The Time Machine’ Movie' in (2002) for instance, Dr. Alexander Hartdegen witnesses his fiancee being killed by a mugger, leading him to build a time machine to travel back in time to save her from her fate.
His subsequent attempts to save her fail, though, leading him to conclude that “I could come back a thousand times… and see her die a thousand ways.” After then traveling centuries into the future to see if a solution has been found to the temporal problem, Hartdegen is told by the Über-Morlock:
“You built your time machine because of Emma’s death. If she had lived, it would never have existed, so how could you use your machine to go back and save her? You are the inescapable result of your tragedy, just as I am the inescapable result of you.”
Movies: Examples of predestination paradoxes in the movies include :
12 Monkeys (1995), TimeCrimes (2007), The Time Traveler’s Wife (2009), and Predestination (2014).
Books: An example of a predestination paradox in a book is Phoebe Fortune and the Pre-destination Paradox by M.S. Crook.
2: Bootstrap Paradox
A Bootstrap Paradox is a type of paradox in which an object, person, or piece of information sent back in time results in an infinite loop where the object has no discernible origin, and exists without ever being created.
It is also known as an Ontological Paradox, as ontology is a branch of philosophy concerned with the nature of being, or existence.
– Information: George Lucas traveling back in time and giving himself the scripts for the Star War movies which he then goes on to direct and gain great fame for would create a bootstrap paradox involving information, as the scripts have no true point of creation or origin.
– Person: A bootstrap paradox involving a person could be, say, a 20 year old male time traveler who goes back 21 years, meets a woman, has an affair, and returns home three months later without knowing the woman was pregnant. Her child grows up to be the 20 year old time traveler, who travels back 21 years through time, meets a woman, and so on.
These ontological paradoxes imply that the future, present and past are not defined, thus giving scientists an obvious problem on how to then pinpoint the “origin” of anything, a word customarily referring to the past, but now rendered meaningless.
Further questions arise as to how the object/data was created, and by whom. Nevertheless, Einstein’s field equations allow for the possibility of closed time loops, with Kip Thorne the first theoretical physicist to recognize traversable wormholes and backwards time travel as being theoretically possible under certain conditions.
Movies: Examples of bootstrap paradoxes in the movies include ‘Somewhere in Time’ (1980), ‘Bill and Ted’s Excellent Adventure’ (1989), ‘The Terminator’ movies, and ‘Time Lapse’ (2014). The Netflix series Dark (2017-19) also features a book called ‘A Journey Through Time’ which presents another classic example of a bootstrap paradox.
Books: Examples of bootstrap paradoxes in books include Michael Moorcock’s ‘Behold The Man’, Tim Powers’ The Anubis Gates, and Heinlein’s “By His Bootstraps”
3: Grandfather Paradox
The Grandfather Paradox concerns ‘self-inconsistent solutions’ to a timeline’s history caused by traveling back in time. For example :
Again we are going to be very grim for a minuet, if you traveled to the past and killed your grandfather, you would never have been born and would not have been able to travel to the past – a paradox. Let’s say you did decide to kill your grandfather because he created a dynasty that ruined the world. You figure if you knock him off before he meets your grandmother then the whole family line (including you) will vanish and the world will be a better place. According to theoretical physicists, the situation could play out as follows:
– Time line protection hypothesis: You pop back in time, walk up to him, and point a revolver at his head. You pull the trigger but the gun fails to fire. Click! Click! Click! The bullets in the chamber have dents in the firing caps. You point the gun elsewhere and pull the trigger. Bang! Point it at your grandfather.. Click! Click! Click! So you try another method to kill him, but that only leads to scars that in later life he attributed to the world’s worst mugger. You can do many things as long as they’re not fatal until you are chased off by a policeman.
– Multiple universes hypothesis: You pop back in time, walk up to him, and point a revolver at his head. You pull the trigger and Boom! The deed is done. You return to the “present” but you never existed here. Everything about you has been erased, including your family, friends, home, possessions, bank account, and history. You’ve entered a timeline where you never existed. Scientists entertain the possibility that you have now created an alternate timeline or entered a parallel universe.
Movies: Example of the Grandfather Paradox in movies include ‘Back to the Future’ (1985), ‘Back to the Future Part II’ (1989), and ‘Back to the Future Part III’ (1990).
Books: Example of the Grandfather Paradox in books include Dr. Quantum in the Grandfather Paradox by Fred Alan Wolf, The Grandfather Paradox by Steven Burgauer, and Future Times Three (1944) by René Barjavel, the very first treatment of a grandfather paradox in a novel.
4: Let’s Kill Hitler Paradox
We will steer off this subject soon but similar to the Grandfather Paradox which paradoxically prevents your own birth, the Killing Hitler paradox erases your own reason for going back in time to kill him. Furthermore, while killing Grandpa might have a limited “butterfly effect”, killing Hitler would have far-reaching consequences for everyone in the world, even if only for the fact you studied him in school.
The paradox itself arises from the idea that if you were successful, then there would be no reason to time travel in the first place. If you killed Hitler then none of his actions would trickle down through history and cause you to want to make the attempt.
Movies/Shows: By far the best treatment for this notion occurred in a ‘Twilight Zone’ episode called ‘Cradle of Darkness’ that sums up the difficulties involved in trying to change history, with another being an episode of Dr Who called ‘Let’s Kill Hitler’.
Books: Examples of the Let’s Kill Hitler Paradox in books include How to Kill Hitler: A Guide For Time Travelers by Andrew Stanek, and the graphic novel I Killed Adolf Hitler by Jason.
5: Polchinski’s Paradox
American theoretical physicist Joseph Polchinski proposed a time paradox scenario in which a billiard ball enters a wormhole, and emerges out the other end in the past just in time to collide with its younger version and stop it going into the wormhole in the first place.
Polchinski’s paradox is taken seriously by physicists, as there is nothing in 'Einstein’s General Relativity to rule out the possibility of time travel, closed time-like curves (CTCs), or tunnels through space-time.
Furthermore, it has the advantage of being based upon the laws of motion, without having to refer to the indeterministic concept of free will, and so presents a better research method for scientists to think about the paradox.
When Joseph Polchinski proposed the paradox, he had Novikov’s Self-Consistency Principle in mind, which basically states that while time travel is possible, time paradoxes are forbidden.
However, a number of solutions have been formulated to avoid the inconsistencies Polchinski suggested, which essentially involves the billiard ball delivering a blow which changes its younger version’s course, but not enough to stop it entering the wormhole.
This solution is related to the ‘timeline-protection hypothesis’ which states that a probability distortion would occur in order to prevent a paradox from happening. This also helps explain why if you tried to time travel and murder your grandfather, something will always happen to make that impossible, thus preserving a consistent version of history.
Books: Paradoxes of Time Travel by Ryan Wasserman is a wide-ranging exploration on the topic of time travel, including Polchinski’s Paradox.
Are Self-fulfilling Prophecies Paradoxes?
A self-fulfilling prophecy is only a causality loop when the prophecy is truly known to happen and events in the future cause effects in the past, otherwise the phenomenon is not so much a paradox as a case of cause and effect.
Say, for instance, an authority figure states that something is inevitable, proper, and true, convincing everyone through persuasive style. People, completely convinced through rhetoric, begin to behave as if the prediction were already true, and consequently bring it about through their actions. This might be seen best by an example where someone convincingly states:
“High-speed Magnetic Levitation Trains will dominate as the best form of transportation from the 21st Century onward.”
Jet travel, relying on diminishing fuel supplies, will be reserved for ocean crossing, and local flights will be a thing of the past. People now start planning on building networks of high-speed trains that run on electricity. Infrastructure gears up to supply the needed parts and the prediction becomes true not because it was truly inevitable (though it is a smart idea), but because people behaved as if it were true.
It even works on a smaller scale – the scale of individuals. The basic methodology for all those “self-help” books out in the world is that if you modify your thinking that you are successful (money, career, dating, etc.), then with the strengthening of that belief you start to behave like a successful person. People begin to notice and start to treat you like a successful person; it is a reinforcement/feedback loop and you actually become successful by behaving as if you were.
Are Time Paradoxes Inevitable?
The Butterfly Effect is a reference to Chaos Theory where seemingly trivial changes can have huge cascade reactions over long periods of time. Consequently, the Timeline corruption hypothesis states that time paradoxes are an unavoidable consequence of time travel, and even insignificant changes may be enough to alter history completely.
Lets explain this theory in a little story ….
A paleontologist, with the help of a time travel device, travels back to the Jurassic Period to get photographs of Stegosaurus, Brachiosaurus, Ceratosaurus, and Allosaurus amongst other dinosaurs. He knows he can’t take samples so he just takes magnificent pictures from the fixed platform that is positioned precisely to not change anything about the environment.
His assistant is about to pick a long blade of grass, but he stops him and explains how nothing must change because of their presence. They finish what they are doing and return to the present, but everything is gone. They reappear in a wild world with no humans, and no signs that they ever existed..
They fall to the floor of their platform, the only man-made thing in the whole world, and lament “Why? We didn’t change anything!” And there on the heel of the scientist’s shoe is a crushed butterfly.
The Butterfly Effect is also a movie, starring Ashton Kutcher as Evan Treborn and Amy Smart as Kayleigh Miller, where a troubled man has had blackouts during his youth, later explained by him traveling back into his own past and taking charge of his younger body briefly. The movie explores the issue of changing the timeline and how unintended consequences can propagate.
Solutions
Scientists eager to avoid the paradoxes presented by time travel have come up with a number of ingenious ways in which to present a more consistent version of reality, some of which have been touched upon here, including:
–The Solution: time travel is impossible because of the very paradox it creates.
–Self-healing hypothesis: successfully altering events in the past will set off another set of events which will cause the present to remain the same.
–The Multiverse or “many-worlds” hypothesis: an alternate parallel universe or timeline is created each time an event is altered in the past.
–Erased timeline hypothesis: a person traveling to the past would exist in the new timeline, but have their own timeline erased.
Thank you to KEVIN BONSOR & ROBERT LAMB for this excellent article.
Here’s some more Paradox theory’s for you to think about ….
As we mentioned before, the concept of traveling into the past becomes a bit murky the second causality rears its head. Cause comes before effect, at least in this universe, which manages to muck up even the best-laid time traveling plans.
For starters, if you traveled back in time 200 years, you'd emerge in a time before you were born. Think about that for a second. In the flow of time, the effect (you) would exist before the cause (your birth).
A math professor travels into the future and steals a groundbreaking math theorem. The professor then gives the theorem to a promising student. Then, that promising student grows up to be the very person from whom the professor stole the theorem to begin with.
Then there's the post-selected model of time travel, which involves distorted probability close to any paradoxical situation [source: Sanders].
What does this mean? Well, put yourself in the shoes of the time-traveling assassin again. This time travel model would make your grandfather virtually death proof. You can pull the trigger, but the laser will malfunction. Perhaps a bird will poop at just the right moment, but some quantum fluctuation will occur to prevent a paradoxical situation from taking place.
But then there's another possibility: The future or past you travel into might just be a parallel universe. Think of it as a separate sandbox: You can build or destroy all the castles you want in it, but it doesn't affect your home sandbox in the slightest. So if the past you travel into exists in a separate timeline, killing your grandfather in cold blood is no big whoop. Of course, this might mean that every time jaunt would land you in a new parallel universe and you might never return to your original sandbox.
Confused yet? Welcome to the world of time travel.
Explore the links below for even more mind-blowing cosmology
A big thank you to Elizabeth Howell November 14, 2017 = Theories, Paradoxes & Possibilities
Time travel may be theoretically possible, but it is beyond our current technological capabilities.
Time travel — moving between different points in time — has been a popular topic for science fiction for decades. Franchises ranging from "Doctor Who" to "Star Trek" to "Back to the Future" have seen humans get in a vehicle of some sort and arrive in the past or future, ready to take on new adventures. Each come with their own time travel theories.
The reality, however, is more muddled. Not all scientists believe that time travel is possible. Some even say that an attempt would be fatal to any human who chooses to undertake it.
Understanding time
What is time? While most people think of time as a constant, physicist Albert Einstein showed that time is an illusion; it is relative — it can vary for different observers depending on your speed through space.
To Einstein, time is the "fourth dimension." Space is described as a three-dimensional arena, which provides a traveler with coordinates — such as length, width and height —showing location. Time provides another coordinate — direction — although conventionally, it only moves forward. (Conversely, a new theory asserts that time is "real.")
Most physicists think time is a subjective illusion, but what if time is real?
Einstein's theory of special relativity says that time slows down or speeds up depending on how fast you move relative to something else. Approaching the speed of light, a person inside a spaceship would age much slower than his twin at home. Also, under Einstein's theory of general relativity, gravity can bend time.
As Marty McFly would say ‘ Doc this sounds Heavy ! ‘
Picture a four-dimensional fabric called space-time. When anything that has mass sits on that piece of fabric, it causes a dimple or a bending of space-time. The bending of space-time causes objects to move on a curved path and that curvature of space is what we know as gravity.
Both the general and special relativity theories have been proven with GPS satellite technology that has very accurate timepieces on board. The effects of gravity, as well as the satellites' increased speed above the Earth relative to observers on the ground, make the unadjusted clocks gain 38 microseconds a day. (Engineers make calibrations to account for the difference.)
In a sense, this effect, called time dilation, means astronauts are time travelers, as they return to Earth very, very slightly younger than their identical twins that remain on the planet.
Through the wormhole
General relativity also provides scenarios that could allow travelers to go back in time, according to NASA. The equations, however, might be difficult to physically achieve.
One possibility could be to go faster than light, which travels at 186,282 miles per second (299,792 kilometers per second) in a vacuum. Einstein's equations, though, show that an object at the speed of light would have both infinite mass and a length of 0. This appears to be physically impossible, although some scientists have extended his equations and said it might be done.
A linked possibility, NASA stated, would be to create "wormholes" between points in space-time. While Einstein's equations provide for them, they would collapse very quickly and would only be suitable for very small particles. Also, scientists haven't actually observed these wormholes yet. Also, the technology needed to create a wormhole is far beyond anything we have today.
Can You Time-Travel?
Alternate time travel theories
While Einstein's theories appear to make time travel difficult, some groups have proposed alternate solutions to jump back and forth in time.
Infinite cylinder
Astronomer Frank Tipler proposed a mechanism (sometimes known as a Tipler Cylinder) where one would take matter that is 10 times the sun's mass, then roll it into very long but very dense cylinder.
After spinning this up a few billion revolutions per minute, a spaceship nearby — following a very precise spiral around this cylinder — could get itself on a "closed, time-like curve", according to the Anderson Institute. There are limitations with this method, however, including the fact that the cylinder needs to be infinitely long for this to work.
An artist's impression of a black hole like the one weighed in this work, sitting in the core of a disk galaxy. The black-hole in NGC4526 weighs 450,000,000 times more than our own Sun. (Image credit: NASA/JPL-Caltech)
Black holes
Another possibility would be to move a ship rapidly around a black hole, or to artificially create that condition with a huge, rotating structure.
"Around and around they'd go, experiencing just half the time of everyone far away from the black hole. The ship and its crew would be traveling through time," physicist Stephen Hawking wrote in the Daily Mail in 2010.
"Imagine they circled the black hole for five of their years. Ten years would pass elsewhere. When they got home, everyone on Earth would have aged five years more than they had."
However, he added, the crew would need to travel around the speed of light for this to work. Physicist Amos Iron at the Technion-Israel Institute of Technology in Haifa, Israel pointed out another limitation if one used a machine: it might fall apart before being able to rotate that quickly.
Cosmic strings
Another theory for potential time travelers involves something called cosmic strings — narrow tubes of energy stretched across the entire length of the ever-expanding universe. These thin regions, left over from the early cosmos, are predicted to contain huge amounts of mass and therefore could warp the space-time around them.
Cosmic strings are either infinite or they’re in loops, with no ends, scientists say. The approach of two such strings parallel to each other would bend space-time so vigorously and in such a particular configuration that might make time travel possible, in theory.
Time machines
It is generally understood that traveling forward or back in time would require a device — a time machine — to take you there. Time machine research often involves bending space-time so far that time lines turn back on themselves to form a loop, technically known as a "closed time-like curve."
The Doctor's time machine is the TARDIS, which stands for ‘Time and Relative Dimensions in Space’.
To accomplish this, time machines often are thought to need an exotic form of matter with so-called "negative energy density." Such exotic matter has bizarre properties, including moving in the opposite direction of normal matter when pushed. Such matter could theoretically exist, but if it did, it might be present only in quantities too small for the construction of a time machine.
However, time-travel research suggests time machines are possible without exotic matter. The work begins with a doughnut-shaped hole enveloped within a sphere of normal matter. Inside this doughnut-shaped vacuum, space-time could get bent upon itself using focused gravitational fields to form a closed time-like curve.
To go back in time, a traveler would race around inside the doughnut, going further back into the past with each lap. This theory has a number of obstacles, however. The gravitational fields required to make such a closed time-like curve would have to be very strong, and manipulating them would have to be very precise. [Related: Warp Speed, Scotty? Star Trek's FTL Drive May Actually Work]
Back to the Grandfather paradox
If that were to happen, some physicists say, you would be not be born in one parallel universe but still born in another. Others say that the photons that make up light prefer self-consistency in timelines, which would interfere with your evil, suicidal plan.
Some scientists disagree with the options mentioned above and say time travel is impossible no matter what your method. The faster-than-light one in particular drew derision from American Museum of Natural History astrophysicist Charles Lu.
That "simply, mathematically, doesn't work," he said in a past interview with sister site LiveScience.
Also, humans may not be able to withstand time travel at all. Traveling nearly the speed of light would only take a centrifuge, but that would be lethal, said Jeff Tollaksen, a professor of physics at Chapman University, in 2012.
Using gravity would also be deadly. To experience time dilation, one could stand on a neutron star, but the forces a person would experience would rip you apart first.
Time travel in fiction
Two 2015 articles by Space.com described different ways in which time travel works in fiction, and the best time-travel machines ever. Some methods used in fiction include:
One-way travel to the future: The traveler leaves home, but the people he or she left behind might age or be dead by the time the traveler returns. Examples: "Interstellar" (2014), "Ikarie XB-1" (1963)
Time travel by moving through higher dimensions: In "Interstellar" (2014), there are "tesseracts" (which is the four-dimensional analogue of the cube) available in which astronauts can travel because the vessel represents time as a dimension of space. A similar concept is expressed in Madeleine L'Engle's "A Wrinkle In Time" (2018, based on the book series that started in 1963), where time is folded by means of a tesseract. The book, however, uses supernatural beings to make the travel possible.
Travelling the space-time vortex: The famous "Doctor Who" (1963-present) TARDIS ("Time And Relative Dimension In Space") uses an extra-dimensional vortex to go through time, while the travelers inside feel time passing normally.
Instantaneous time jumping: Examples include "The Girl Who Leapt Through Time" (2006), the DeLorean from "Back To The Future" (1985), and the Mr. Peabody's WABAC machine from "The Rocky and Bullwinkle Show" (1959-64).
Time travelling while standing still: Both the "Time Machine" (1895 book) and Hermione Granger's Time-Turner from "Harry Potter" keep the traveler still while they move through time.
Slow time travel: In "Primer" (2004), a traveler stays in a box while time traveling. For each minute they want to go back in time, they need to stay in the box for a minute. If they want to go back a day in time, they have to stay there for 24 hours.
Traveling faster than light: In "Superman: The Movie" (1979), Superman flies faster than light to go back in time and rescue Lois Lane before she is killed. The concept was also used in the 1980 novel "Timescape" by Gregory Benford, in which the protagonist sends (hypothetical) faster-than-light tachyon particles back to Earth in 1962 to warn of disaster. In several "Star Trek" episodes and movies, the Enterprise travels through time by going faster than light. In the comic book and TV series "The Flash," the super-speedster uses a cosmic treadmill to travel through time.
Difficult methods to categorize: There's a rocket sled in "Timecop" (1994) that pops in and out of view when it's being used, which has led to much speculation about what's going on. There's also the Time Displacement Equipment in "The Terminator" movie series, which shows off how to fight a war in four dimensions (including time).
So is time travel possible?
While time travel does not appear possible — at least, possible in the sense that the humans would survive it — with the physics that we use today, the field is constantly changing. Advances in quantum theories could perhaps provide some understanding of how to overcome time travel paradoxes.
One possibility, although it would not necessarily lead to time travel, is solving the mystery of how certain particles can communicate instantaneously with each other faster than the speed of light.
In the meantime, however, interested time travelers can at least experience it vicariously through movies, television and books.
Article credits to www.space.com Elizabeth Fernandez
More Time Travel and Philosophy
In general relativity, things called closed time-like curves can exist, and are a way to solve general field equations.
It’s like stepping on a train, taking a wonderful trip through the mountains, and returning to the same spot you left off, both in space and in time.
That means the moment where you step off the train is both in the past and future of when you got on the train in the first place. In a closed time-like curve, an object returns to the same place and time that it was in the past, completing a loop. It’s unclear if closed time-like curves exist in our universe, but if they do, mathematically, they would allow for time travel.
Then there’s option two.
In this quantum mechanical model, each choice opens up another universe. If time travelers changed something in the past, they would enter another parallel universe.
The original timeline would still exist, one among many branching worlds. In such a model, it might be very hard for time travelers to return to the universe they came from.
Finally - if time travel is possible, time travelers can only do certain things.
A time traveler who went back in time, for example, could not kill Hitler, no matter what he tried. This raises all sorts of philosophical problems - does the time traveler still have free will? It’s difficult to say time travel is possible while simultaneously destroying freedom of choice.
Paradox-Free Time Travel While Preserving Freedom of Choice
That’s where young physicist Germain Tobar steps in.
Under the supervision of physicist Dr. Fabio Costa, Tobar came up with a way to mathematically preserve freedom of choice, while allowing for paradox-free time travel.
For example, let’s imagine there is a scientist in a laboratory with a time-traveling coin.
The coin enters the laboratory at some point in the past as “heads” and leaves at some point in the future as “tails”. Tobar’s model fixes the boundary conditions - the point in time where the coin enters and leaves the laboratory - as always heads and tails.
Then, his model allows the state of the coin to change when it is in the laboratory. Since the initial and final state of the coin is fixed, a paradox is avoided. However, anything can happen to the coin when it is in the laboratory. “For example,” says Tobar, “she [the scientist] can decide to always flip the coin, or always prepare heads regardless of what she got... it can flip, it can hit other coins, and so on.” But no matter what she did or how hard she tried, each time the coin time-travels through her lab, it will always leave as “tails”.
Let’s take another pertinent example. “Say you traveled in time, in an attempt to stop COVID-19’s patient zero from being exposed to the virus,” Costa says. “However if you stopped that individual from becoming infected – that would eliminate the motivation for you to go back and stop the pandemic in the first place.”
In Tobar’s model, no matter what you did, the virus would still escape somehow. “You might try and stop patient zero from becoming infected, but in doing so you would catch the virus and become patient zero, or someone else would,” says Tobar. “No matter what you did, the salient events would just recalibrate around you.”
Even time travellers couldn't stop the spread of the coronavirus.
That means that you have complete freedom of choice, but no matter how hard you tried, you could not stop COVID-19 from escaping.
But this is good news for Marty McFly in Back to the Future. Nothing he did could prevent his parents from falling in love and getting married, and eventually, allowing Marty to be born. Other things might change, like how they met, or what his father ate for breakfast that morning. But nothing could change their eventual meeting.
This doesn’t necessarily rule out other models of time travel, for example, a quantum mechanical one.
“Some of the quantum approaches would indeed invoke the existence of multiple universes, which interact through the time machine, possibly creating alternate timelines,” says Tobar. Instead, Tobar and Costa’s model is classical and shows that if only one universe exists, it is possible to allow for paradox-free time travel.
This work has other implications as well, including the unification of quantum theory with general relativity. “One of the main issues is that, in such a theory, time seems to disappear, making the traditional, temporal view of dynamics unsuitable,” says Tobar. “Our work presents a different way to look at physical laws, which could find applications in theories of quantum gravity.”
Could closed time-like curves, and potentially time machines, exist in our Universe?
“Proposals so far involve exotic matter (with negative or infinite energy), and we don't know if such matter exists in our universe,” says Tobar. “An interesting consequence is that the CTCs [closed time-like curves] would only exist after a certain point in time, which means it would not be possible to time travel to before the first time machine was created. This would explain why we haven't seen any time traveler from the future yet.”
And to leave you to ponder on the future in Doc Browns own words :
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https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/10/the-cars-of-back-to-the-future-55-
Back to the Future Fashion
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/19/back-to-the-future-fashion-te2yx
Ariel Leader
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/17/ariel-leader
Back to the Future - Hill Valley History
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/2/hill-valley-history-jxrr4
Back to the Future Gadgets and Trends we have in 2021
Doc Browns Biography and the History of his DeLorean Time Machine
Marty McFly Biography also featuring Biff, George, Jennifer, Loranine
Back to the Future - Hill Valley History
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/2/hill-valley-history
Back to the Future - Detailed storyline
Back to the Future - How to generate 1.21 Giggawatts / Jiggawatts with Mr Fusion
What is a Fat Bike ? And where did the idea of Fat Bikes come from ?
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/1/10/fat-bike-what-is-a-fat-bike-history
The Time Paradox explained - Back to the Future
The Sinclair C5
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/1/9/sinclair-c5-
Mini Jeep Mini Review
https://www.sandstoneproductions.co.uk/blogtothefuture/minicoolsterjeepreview
Hoverboards - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/12/13/hoverboards-
How does the Time Machine work - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/how-does-the-time-machine-work
The DeLorean Motor Company - What did it fail ? Or did it ?
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/whydiddeloreanmotorcompanyfail
The DeLorean Motor Company - History
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/deloreanmotorcompany
The Flux Capacitor - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/fluxcapacitor
Is Time Travel Possible ? And what would it take ? Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/istimetravelpossible
The Cars of Back to the Future
Explore the Cars featured in Back to the Future …!! Which cars were used in the Filming of Back to the Future 1, 2 and 3
We showcase the models used in our Blog to the Future Post
Amazingly there are 55 separate automobiles and trucks in Back to the Future that are identified in imcdb.org, The "Internet Movie Cars Database", the newest of which were the :
Studebaker
Although Statler Studebaker is seen in Part I, there is only one Studebaker seen in 1955.
Toyota
There are three Toyotas seen in 1985, in three different scenes of Courthouse Square.
Chevrolet
The imcdb.org site counts eleven Chevrolets (including four Bel Airs in 1955), nine Fords, and only
Chrysler
Only one Chrysler spotted.
Other lines of automobile noted in the film are Buick, Cadillac, Datsun (now Nissan), Divco, Dodge, GMC, Honda, Hudson, Jeep, Kaiser, Mercury, Nash, Packard, Plymouth, Volkswagen and Volvo.
Although a Pontiac dealership is shown in Part II, there is only one Pontiac in Part II
(Mr. Parker's car) Jennifer Parker's father drives into downtown Hill Valley to pick her up.
The AMC Eagle is a four-wheel drive station wagon manufactured in the 1980s by American Motors. It was the first four-wheel drive crossover passenger car in America.
History
Jennifer Parker's father, Danny Parker Jr., drove an orange wood-panel 1984 AMC Eagle in 1985. Its license plate was 1J V8988.
In 1985A, the Parker residence had a wrecked AMC Hornet parked in the front yard, which may or may not have belonged to Mr. Parker, as there is the possibility that the house wasn't actually occupied by the Parker family in that particular ABC timeline.
Mr. Parker's AMC Eagle made one brief final reappearance in the Parker residence's driveway when Marty McFly drove up there in his Toyota 4x4 to wake Jennifer up, after the Grays Sports Almanac had been destroyed in 1955, restoring the timeline.
1984 BMW 733i (George's car in 1985-I)
"Marty got up [from the dining room table], walked to the kitchen window and looked out. There in the driveway was a sparkling new BMW. Next to it stood Biff Tannen, polishing diligently." —From Back to the Future by George Gipe (quote, page 244)
The BMW 733i was a model of car manufactured by BMW in the 1980s.
History
The McFly family owned a BMW 733i in 1985. This was driven by George McFly, and was the main family car. Its license plate number was 3A709T8.
Before Marty McFly went back to 1955, Biff Tannen had borrowed and totaled another car owned by George, a Chevrolet Nova, while drinking and driving (at the same time!) — thus ruining Marty's plans to go up to the lake with Jennifer Parker for the weekend.
After Marty returned to what turned out to be an altered and improved present, the car changed to a BMW, in one piece, and Biff was waxing it with the two coats of wax George liked.
1952 Buick Super (Wilbur's car)
Wilbur's 1952 Buick Super Riviera.
The Super was a vehicle manufactured by Buick from 1940 to 1958.
History
In 1955, an elderly man named Wilbur drove past Lyon Estates in a dark red-colored Buick Super Riviera, when he and his wife saw a young man in a strange yellow suit near a futuristic-looking car.
Wilbur began to slow down for the stranger, but his wife became frightened and forced him to drive on.
The Buick Super Riviera's license plate number was 4S28359.
1948 Cadillac Series 61
1950 Cadillac Series 62 (Demonstration model)
Caterpillar 12
1947 Chevrolet 4100
1947 Chevrolet Advance-Design Thriftmaster
The Chevrolet Advance-Design was a series of pickup trucks manufactured by Chevrolet from 1947 to 1955.
History
In 1955, Marty McFly held onto the back of a blue Chevrolet Advance-Design Thriftmaster pickup truck while being chased around Courthouse Square by Biff Tannen and his gang in Biff's Ford Super De Luxe Convertible.
1951 Chevrolet Advance-Design truck. - D. Jones Manure Hauling owned a 1951 Chevrolet Advance-Design truck.
1953 Chevrolet Bel Air (Sam Baines's car in 1955)
Marty McFly being hit by Sam Baines's car in 1955A.
The first-generation Chevrolet Bel Air was a car manufactured from 1950 to 1954 by General Motors.
History
Lorraine's father, Sam Baines, drove a green 1953 Chevrolet Bel Air in 1955, 1955A, 1955B, and 1955C.
Its license plate was 6S 48405 (Coincidentally, the same plates are seen earlier in the film on another car that almost hits Marty in the town square).
On November 5, 1955, Sam hit George McFly with his car when George fell down from a tree into the middle of the street while supposedly birdwatching.
In 1955A, 1955B and 1955C, Sam hit Marty with the car, because Marty tried to rescue his father. Sam had just picked up the Baines family's brand new television set with his car.
1955 Chevrolet Bel Air Nomad
1982 Chevrolet C-30
1974 Chevrolet Camaro
1974 Chevrolet De Luxe
1980 Chevrolet Malibu (Police car in 1985)
A Chevrolet Malibu serving as a Hill Valley Police car.
The Malibu was a vehicle manufactured by Chevrolet.
In 1985, Marty McFly, using his skateboard, hitched a ride on the back of Hill Valley Police car #5253, a Chevrolet Malibu, as he left Courthouse Square to go home.
1979 Chevrolet Nova (George's wrecked car in 1985)
"As he drew closer, Marty saw that its [the car's] front end was completely smashed, as if someone had driven it into a wall. Nearby stood Marty's father and Biff Tannen, watching in silence as the truck driver unhitched the damaged vehicle."—From Back to the Future by George Gipe (quote, page 28)
History
In the first timeline, George McFly drove a 1979 Chevrolet Nova in 1985 before he lent it to his work supervisor Biff Tannen, who totaled it while drinking and driving (at the same time!).
Biff then blamed George by claiming the car had a blind spot, and forced him to pay up to have his suit dry-cleaned as he had spilled beer over himself in the crash. The car was subsequently returned to the McFly residence on the back of a tow truck.
Marty McFly had been planning to borrow the car to take Jennifer Parker to the lake, but thanks to Biff these plans were ruined.
Lorraine used the car on one occasion in 1983 to go after Marty when she heard the sound of his skateboard as he sneaked out of the house and set off to meet his friends.
Following Marty's return from 1955 to what turned out to be an altered and improved present, George owned a BMW 733i, which Biff — who now had his own auto detailing company — was waxing with the two coats of wax George liked.
1964 Chevrolet Suburban
1946 Chrysler
1972 Datsun 1200
1974 Datsun 260Z
1975 Datsun B210
1975 Datsun B210 Coupe
(Primary car of the films acting as time machine) he DeLorean DMC-12 is a sports car that was manufactured by the De Lorean Motor Company for the American market from 1981 to 1983 in Northern Ireland. It is most commonly known simply as the DeLorean, as it was the only model ever produced by the company. The DMC-12 featured gull-wing doors with a fiberglass "underbody", to which non-structural brushed stainless steel panels are affixed.
The first prototype appeared in March 1977, and production officially began in 1981 (with the first DMC-12 rolling off the production line on January 21) at the DMC factory in Dunmurry, Northern Ireland. During its production, several aspects of the car were changed, such as the hood (bonnet) style, wheels and interior. About nine thousand DMC-12s were made before production stopped in late 1982. Today, about 6,500 DeLorean motor cars are believed to still exist.
Unknown Divco
1955 Dodge Coronet
1981 Dodge Ram
1950 Dodge Wayfarer
Unknown Ford Courier (or Datsun truck) (Biff's Auto Detailing truck)
Biff's Ford Courier truck stands nearby as he puts the second coat of wax on George McFly's BMW 733i.
The Courier is the name used on a variety of vehicles manufactured by Ford.
History
In 1985, Biff Tannen owned what appeared to be a yellow Ford Courier pickup truck that he used for his company, Biff's Auto Detailing.
Behind the scenes Biff's yellow truck is never seen fully on-screen at any point during the Back to the Future trilogy, so it remains unknown as to whether it was a Ford Courier, a Datsun or a similar vehicle.
A Ford Crestline Victoria at Hill Valley High School.
The Crestline Victoria was a vehicle manufactured by Ford in the 1950s.
On November 12, 1955, a dark green Crestline Victoria with a white roof was parked outside Hill Valley High School during the Enchantment Under the Sea dance.
1953 Ford Customline
The Econoline, also known as the E-Series and the Club Wagon, is a line of full size vans manufactured by Ford.
In 1985, an Econoline van was used for the re-election campaign of Goldie Wilson for Mayor of Hill Valley. Its license plate number was 2H67820.
1984 Ford F-350 (Flatbed carrying Marty's future Statler Toyota 4X4)
The F-350 was part of the F-Series of vehicles manufactured by Ford.
History
In 1985, a seventh generation F-350 flatbed truck carried a Toyota Hilux for Statler Toyota. Marty McFly told his girlfriend Jennifer Parker that his dream was to one day own that Toyota 4x4.
A Ford F-5 tank truck parked at the Texaco service station in 1955 (in the background, on the far right).
The F-5 was part of the first generation of F-Series vehicles manufactured by Ford.
A Ford F-5 tank truck was owned by Texaco and was present at the Texaco service station in Courthouse Square, Hill Valley, in 1955.
1954 Ford Mainline
1984 Ford Ranger (First pickup that Marty skitches on)
A Ford Ranger pulling out of Burger King in Hill Valley.
The Ranger is a vehicle manufactured by Ford.
In 1985, Marty McFly grabbed onto the back of a blue Ford Ranger while riding his skateboard on the way to school.
1946 Ford Super De Luxe (Biff Tannen's car in 1955)
Ford Super De Luxe Convertible
Biff and his gang in the Ford.
" After a half block of falling rapidly behind their prey, Biff's pals turned and shrugged, looking to Biff for a new tack. / "Get the car!" Biff ordered. / The four hotfooted it over to Biff's convertible, which was parked nearby. A few seconds later, they roared off after Marty, burning rubber on the town square and disappearing in a cloud of black smoke. " —From Back to the Future by George Gipe (quote, page 177)
" "Here she is, Biff," Terry gestured proudly, "all fixed up, like new. Except we couldn't get her started." He glanced over at the eager Tannen. "You got a kill-switch on this thing?" / Tannen grinned at that. / "Nope, you just gotta have the right touch," he bragged. "Ain't nobody can start this car but me." / He climbed in the car and turned the key. The car growled to life on the first try. " —From Back to the Future Part II by Craig Shaw Gardner (quote, page 144)
Marty: "Let's land on him [Biff in the Ford], we'll cripple his car."
Doc: "Marty, he's in a '46 Ford. We're in a DeLorean. He'd rip through us like we were tin foil."
— As the DeLorean hovers over the Ford
The Super De Luxe was a model of vehicle manufactured by Ford during the 1940s.
The Ford filled with the contents of a manure truck.
The newly restored Ford Super De Luxe on display at the entrance to the Biff Tannen Museum in 1985A
Marty McFly hiding in the back seat of Biff's car.
Biff chases down a hoverboarding Marty through the River Road Tunnel.
Biff Tannen owned a 1946 model in 1955 which was a convertible, painted black with a red interior, and had the nickname "Sheila".] Its license plate number was 6H 96472.
Biff was the only person who knew the trick to starting the ignition (a push-button on the dashboard), as he explained to Terry at Western Auto, who had been unable to start the car whilst working on it and wondered if it was fitted with a kill-switch:
"You just gotta have the right touch. Nobody can start this car but me." Biff still remembered the technique in his old age — much to the amazement of his younger self, who demanded to know how this "old codger with a cane" knew how to do this.
"You just got to have the right touch. Nobody can start this car but me."
—Biff to Terry, regarding the trick to start his car.
After being provoked by Marty McFly in Lou's Cafe on November 8, 1955, Biff and his gang chased him in the Ford around Courthouse Square before slamming into a manure truck.
By November 12, Biff had the car repaired. In order to repair the damage to his car, Biff was pressured by Terry to pay $302.57 for the job, but refused payment. As he argued with Terry, both Marty and Biff's older self jumped into the Ford, with Marty hiding in the back seat. Old Biff drove the Ford back to his house and parked it in his garage before displaying the Gray's Sports Almanac.
Later that night, Marty snuck away in the back seat again as Biff drove to the Enchantment Under the Sea dance at Hill Valley High School. Biff parked the vehicle outside the door of the gymnasium and drove off in it after discovering that Marty had been after the almanac.
Biff drove the Ford towards River Road Tunnel on the way home before Marty swooped in using the hoverboard. Biff and Marty fought over the almanac outside and in the tunnel, with Biff sideswiping the wall of the tunnel with the right side of the Ford.
When Biff reached the end of the tunnel, he turned completely around and faced Marty who was still halfway inside. Biff charged the car towards Marty in the hopes of running him over, but failed when Marty grabbed a string of pennants attached to the DeLorean time machine. As Biff watched Marty and the DeLorean hover away into the night, he crashed the Ford into a manure truck again, filling his car with manure.
It’s unclear what became of the Ford after 1955, but it reappeared newly restored in 1985A where it was on display at the entrance to the Biff Tannen Museum, alongside a waxwork figure of Biff.
Trivia
During the filming of the first two films, three different Ford Super De Luxe cars were used (a 1946 car, a 1947 model and a 1948 model). The 1946 car was a black coupe, with the roof cut off, so it looked like a convertible. This car was used the most, and was also the one that got covered in manure. The other two cars (the 1947 and 1948 Fords) were used in long shot or in close-up. The 1946 car was kept by Universal after Back to the Future Part II was completed and put on display in their back lot tour, before being sold to a private collector.
Through the course of the first film, the car changes from a 1946 Ford to a 1947 Ford. This difference is noted by the fact that the 1947 Ford Super De Luxe differed from the 1946 model with the absence of the red accents on the grill and parking lights below each of the front headlights.
Another difference between the 1946 and 1947 Ford Super De Luxe is that the upholstery seating in the car changes.
As shown in Back to the Future Part II, when 1985-A Biff spoke of the manure incident from the first film, Biff states that he had "enrolled [the car] in a drag race a few days earlier". Marty correctly guessed Biff had crashed his car into a manure truck (much to the surprise of 1985-A Biff). When Biff demanded to know how he knew that, Marty lied that his father told him before he died. Also, unknown to Biff, Marty was responsible for his car being wrecked.
In Back to the Future Part II, when Old Biff gives the almanac to his younger self, the sun visors on the convertible are gone, while in the rest of the film, the sun visors are still there. The car also has sun visors in Back to the Future.
1984 GMC Value Van (Emmett Brown's van in 1985)
Doc's GMC Value Van, with the DeLorean inside, stands in the empty parking lot at Twin Pines Mall, watched over by Einstein (on the far right).
"Checking his image in a mirror, he [Doc] ruffled his wild white hair even more, perhaps perversely adding to his own reputation as a wild eccentric. He then walked to the front of the garage, opened the rear doors of the oversized step-van on the side of which was lettered DR. E. BROWN ENTERPRISES — 24 HR. SCIENTIFIC SERVICE, and peered inside. / It was, of course, still there.
Even in the sparse light of the garage, the sleek stainless steel DeLorean with its gull wings shone back at him like a giant Christmas tree ornament. How appropriate, he thought, that the vehicle which would prop mankind into the past and future should be such an extraordinarily beautiful piece of machinery. There was no doubt in his mind as he closed the doors. / "It will work," he said softly. "And I'll be famous." " —From Back to the Future by George Gipe (quote, page 27)
The GMC Value Van was a multi-step truck that was manufactured by General Motors.
Dr. Emmett Brown owned a 1984 P-60 model Value Van for his business. In 1985, he used it to transport the DeLorean time machine and the plutonium needed for the vehicle's first test at Twin Pines Mall.
It bore on the sides the wording DR. E. BROWN ENTERPRISES — 24 HR. SCIENTIFIC SERVICES.
1978 Honda Civic
1984 Honda XL 600 R
1952 Hudson
1955 International Harvester R-160
1984 Jeep Cherokee
Jeep CJ-7 Unknown (Second vehicle that Marty skitches on through Courthouse Square)
Jeep CJ-7
Marty skitching on the Jeep close to Courthouse Square.
The Jeep CJ-7 was a compact 4X4 car manufactured from 1976 to 1986 by American Motors, who owned the Jeep brand.
History
On October 25, 1985, a skateboarding Marty McFly grabbed onto a blue Jeep CJ-7 in Courthouse Square. The Jeep had no doors or roof, and its licence plate was 726 BXG. The driver was a middle-aged man, who wore a Mountain Dew baseball cap.
At the same street where Marty would accelerate the DeLorean time machine up to 88 m.p.h. in 1955 in order to return to his own time, the driver noticed there was a young man holding onto his car. Marty was late for school because all Dr. Emmett Brown's clocks were exactly twenty-five minutes slow, which is why he was grabbing onto cars.
Marty also performed a similar car-grabbing act, this time while riding a hoverboard, on a hover-converted Jeep Wrangler YJ which landed on Second Street on October 21, 2015 while he was fleeing from Griff's gang.
1953 Kaiser Manhattan
1954 Mercury Monterey
1951 Nash Statement
1948 Packard Custom Eight Victoria (Doc's car in 1955)
The Packard parked at Hill Valley High School.
The Packard was a make of car in the 1950s.
History
Dr. Emmett Brown owned a cream-colored 1949 Packard Custom Eight Victoria in 1955, which was used along with a flatbed trailer on November 5 to transport the DeLorean time machine — concealed beneath a tarpaulin — to his lab, and to Courthouse Square on the night of November 12 for Doc's 'weather experiment'.
Doc let Marty McFly borrow the Packard for the Enchantment Under the Sea dance at Hill Valley High School on November 12. The car became the scene of the scuffle between Biff Tannen, Lorraine Baines, and George McFly.
During Marty's second visit to 1955, he drove Doc home after he fainted in Courthouse Square on seeing Marty again — having only just sent him back to 1985.
After Doc restored the DeLorean to perfect working order, including installation of vacuum-tubed time circuits and new whitewall tires, the Packard and flatbed trailer were used once again to haul the DeLorean to the Pohatchee Drive-In Theater in preparation for Marty's trip to 1885 to rescue Doc's older 1985 counterpart.
The Packard's license plate number was 8N39742.
Behind the scenes
Only one Packard was used for all three films in the Back to the Future trilogy. The exact same car was also used in the 1991 film The Marrying Man starring Alec Baldwin and Kim Basinger. It is now in a private collection in Massachusetts.
1953 Plymouth Cranbrook (Fuels at Texaco service station in 1955)
1950 Plymouth De Luxe (Nearly hits Marty in 1955)
1954 Plymouth Savoy
1985 Pontiac Sunbird
1953 Studebaker Starliner
1984 Toyota Celica Supra Mk.II
1984 Toyota Van
1979 Volvo 242
Cab B25
Cab B25 from the Luxor Cab Company arrives in Hilldale. The DeLorean time machine, with Marty McFly standing next to it, can be seen in the background.
The cutout Collector Card for the Back to the Future Taxicab (bottom right-hand corner) on the rear packaging of Funrise, Inc.'s Back to the Future Part II three-vehicle pack gave a little more information about Cab B than was mentioned in either the movie or the novelization — namely, its on-board 'Entertainment System'.
" The oldster [Biff Tannen] pointed a quivering finger at a sleek silver car that was just taking off overhead. / "Follow that DeLorean!" he croaked. / Follow that DeLorean? That was the sort of thing people said in old, 2-D movies! Where was this old guy coming from? / Still, a fare was a fare. Fred eased the cab out and up. " —From Back to the Future Part II by Craig Shaw Gardner (quote, page 60)
Cab B25 was a flying taxicab from the Luxor Cab Company in Hill Valley in 2015.
History
The cab was a Citroën DS driven by Fred, who drove Biff Tannen in pursuit of the DeLorean time machine to Hilldale on October 21.
It was fitted with six cylinders, and was fuel injected via a fusion turbine accelerator.[1] Cab B25 was capable of 90 m.p.h. on the ground and over 170 m.p.h. in the air with thrusters.[1] It also came with an 'Entertainment System' consisting of "200 local channel stereo, mobile phone, food, beverage and snack dispensing systems". A warning to embarking passengers, WATCH YOUR HEAD, was printed on the roof above the rear doors.
The taxicab with which the DeLorean nearly collided when it departed from Lyon Estates in 1985 and appeared in the wrong lane of Skyway C25, facing oncoming traffic, was also a Citroën DS. Whether this was Cab B25 or another cab of the same make and model remains unclear.
Behind the scenes
The Citroën DS was marketed from 1955 to 1975, so had such a vehicle appeared during the 1955 sequences in Back to the Future it wouldn't have looked out of place.
The same Citroën DS used as Cab B25 reappears later in Back to the Future Part II as one of the wrecked vehicles in 1985A.
The cutout Collector Card for the toy Back to the Future Taxicab on the rear packaging of Funrise, Inc.'s Back to the Future Part II three-vehicle pack, released as part of their Micro Action Super Cars series in 1989 (the other two being the DeLorean Car (Modified Engine) and the Back to the Future Police Car), gives additional information about the vehicle. This was not derived from any information given on-screen or in the novelization.
The taxicab is now in France where it has been owned by the company Tadico Events since January 2019, and is operated under the name The DeLorean Experience and Luxor Cab DS Taxi.
BMW 633CSi
Griff's BMW 633CSi being waxed by his grandfather, Biff Tannen.
This model of BMW was built between 1976 and 1989.
History
In 2015, Griff Tannen owned a heavily modified hover-converted version of the BMW 633CSi, which was a convertible orange and black model waxed for him (two coats, naturally) by his grandfather Biff Tannen, and in which Whitey, Data and Spike traveled with him as passengers.
Griff accidentally smashed the car's nearside taillight with his bat while swinging furiously at Marty McFly.
Whether the BMW could not be started by anyone except Griff, like the Ford Super De Luxe Convertible owned by his Grandpa Biff in 1955, remains unrecorded.
Behind the scenes
In the novelization by Craig Shaw Gardner, Griff's car is described as being "a beat-up old convertible" (quote, page 32), rather than the perfect, futuristic-looking BMW seen on-screen.
Anyone expecting to see in 2015 a futuristic, flying BMW of the make and model featured in Back to the Future Part II is going to be disappointed, as the BMW 633CSi is no longer being produced — something the movie makers obviously did not foresee.
As far as is known, BMW have no plans to produce a flying model in the foreseeable future.
Rolls-Royce Silver Cloud I
The Rolls-Royce Silver Cloud I is nearly hit by Needles' truck.
"A horn blared up ahead, followed by a squeal of brakes. They [Marty and Jennifer] both looked out the windshield [of Marty's truck] as Needles' truck swerved, barely missing a Rolls-Royce that had started out of a side street." — From Back to the Future Part III by Craig Shaw Gardner (quote, page 210)
"Jeez! I would've hit that Rolls-Royce!" — Marty
History
In the original timeline, on October 27, 1985, Marty McFly was racing Douglas J. Needles in his Toyota Hilux. He collided with a Rolls-Royce Silver Cloud I that had just pulled out of a side street and broke his hand in the crash, preventing him from ever playing the guitar again.
The owner of the Rolls-Royce pressed charges against Marty for the damage to his vehicle. As a result, Marty gave up on his musical career and spent decades feeling sorry for himself.
When Marty returned from 1885, he and Jennifer Parker encountered Needles and his gang at a red traffic light near the very spot where he would crash his truck.
However, Marty has already learned his lesson, that he should not lose his temper and act recklessly when someone called him "a chicken"; thus, at the last second, while Needles wasn't looking, he put the truck in reverse while Needles raced ahead when the light changed to green, and witnessed the Rolls-Royce nearly hit Needles' Ford F-150.
It was at this moment that Jennifer saw the words "YOU'RE FIRED!!!" disappear from Ito T. Fujitsu's fax to Marty, a copy of which she had taken from the McFly residence in 2015. The dismal events of Marty's future were averted.
A StarCar (on the far left) parked on Second Street in 2015 as a flying Jeep comes in to land.
The StarCar was a futuristic car in 2015.
History
In 2015, a StarCar was parked on Second Street when the flying Jeep landed; and Spike, Data and Whitey chased Marty McFly on hoverboards around Courthouse Square.
Behind the scenes
The StarCar was a fictional car which appeared in the 1984 science-fiction movie The Last Starfighter, and was built by Gene Winfield. The 1963 show car the Strip Star and the Spinner from the 1982 neo-noir science-fiction movie Blade Runner were also built by Winfield; both vehicles appeared in Back to the Future Part II as futuristic cars.
The design of the StarCar was inspired by the DeLorean DMC-12, including its gullwing doors. However, the DeLorean DMC-12 would not become familiar to science-fiction movie fans as Dr. Emmett Brown's DeLorean time machine until the following year.
The current whereabouts of the StarCar is unknown, but it is rumored to now be in France and been repainted red.
The StarCar was built specially for The Last Starfighter, and thus has never entered mass production.
A Texaco tank truck at the Texaco service station was a motor vehicle used by a fuel company to transport and deliver gasoline to service stations.
History
A Ford F-5 tank truck was owned by Texaco, and was present at the Texaco service station in Courthouse Square, Hill Valley on the morning of November 5, 1955, when Marty McFly was watching the attendants at work — indicating there had been a delivery of gasoline.
The tank truck was a small one in Texaco's signature color of bright red, with the Texaco star logo on the doors of the cab and the name TEXACO in large white letters along the sides of the tank.
Behind the scenes
A futuristic, flying Jeep Wrangler YJ lands on Second Street in 2015.
The Jeep Wrangler YJ was a 4X4 car manufactured from 1986 to 1995 by American Motors, who owned the Jeep brand.
History
A futuristic, flying Jeep Wrangler YJ landed on Hill Valley's Second Street on October 21, 2015.
A hoverboarding Marty McFly caught hold of a rope on the back of the car while he was fleeing from Griff Tannen and his gang, in a similar manner to when, while skateboarding in 1985, he had grabbed onto a Jeep CJ-7 in order to get to school.
Behind the scenes
American Motors stopped manufacturing the Jeep Wrangler YJ in 1995, something the movie makers obviously did not foresee.
Actuality
As far as is known, Jeep have no plans to produce a flying model in the foreseeable future.
Pulse
A Pulse on display during the Universal Studios Backlot tour.
The Pulse was a model of vehicle classified as an "autocycle" — an enclosed motorcycle with two main wheels and two outrigger wheels, one on each side. About 347 Pulse vehicles were produced by the Owosso Motor Car Company from 1985 to 1990.
It was a fairly common model of car by 2015, since at least two of them were in downtown Hill Valley at about the same time. A red Pulse was the first vehicle Marty McFly saw as he exited the alleyway opposite the courthouse, driving along Main Street from right to left. A white Pulse could briefly be seen parked in front of True Blues during the hoverboard chase.[2]
Behind the scenes
Bob Butts of Fantasy Cars leased seven Pulse cars to Universal Studios for the filming. One of them, known as #74, was originally red, but rolled over in an accident and was repainted white. This same car was later used in the films Hologram Man and Lawnmower Man II, and was modified for the television series Seaquest DSV.
O.K this is not a car but it was Griff’s 2nd mode of transport …… The Pit Bull Hoverboard
" As if to demonstrate the meaning of power, Griff tossed his hoverboard to the ground. And what a hoverboard! It was three times the size of the board Marty was riding, with twin jets in the back, and fins beside, not to mention those spikes all around the edges. In fact, it didn't look much like a skateboard — or hoverboard — at all. It looked, Marty thought, more like a chain-saw. Trapped over the pond, he had plenty of time to read the name of the board, too, written in gold letters on a jet black background: / THE PIT BULL. "
—From Back to the Future Part II by Craig Shaw Gardner (quote, page 45)
"Keep it! I got a Pit Bull now!"
—Little girl to Marty when he attempted to give her back her Mattel hoverboard
The Pit Bull was a model of rocket-powered hoverboard that was used to make extremely fast trips.
History
Unlike most other hoverboards which had to be pushed with one foot on or near the ground, the Pit Bull's two directional rockets provided enough power for travel over water. It also had three tow cables that allowed additional hoverboarders to be towed behind the main unit.
Griff Tannen was a known owner of one, but after his arrest it came into the possession of a little girl, who in turn let Marty McFly keep her Mattel hoverboard.
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#backtothefuture #martymcfly #delorean #bttf #s #docbrown #michaeljfox #dmc #deloreantimemachine #timemachine #christopherlloyd #fluxcapacitor #hillvalley #outatime #timetravel #mcfly #movie #hoverboard #movies #deloreandmc #greatscott #backintime #art #backtothefuturetrilogy #bifftannen #bhfyp #timemachine #mcfly #marty #docbrown #greatscott #fluxcapacitor #christopherlloyd #backtothefuture2 #backtothefuture1 #backtothefuture3 #dmc12 #deloreantimemachine #deloreandmc12 #BTTF #bttf1 #bttf2 #bttf3 #time #timecircuits #docbrown #1980s #popculture #props #flux #fluxbands #glow #giggawatts #jiggawatts #1.21 #power #mrfusion #carsofbacktothefuture #cars #bttfcars #backtothefuturecars
www.sandstoneproductions.co.uk
To find out more fun Future Facts by clicking our Blogs below……….!!! Please Share …..
Ghostbuster - Ecto 1
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/3/31/ghostbusters-ecto-1
Cars of Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/10/the-cars-of-back-to-the-future-55-
Back to the Future Fashion
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/19/back-to-the-future-fashion-te2yx
Ariel Leader
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/17/ariel-leader
Back to the Future - Hill Valley History
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/2/hill-valley-history-jxrr4
Back to the Future Gadgets and Trends we have in 2021
Doc Browns Biography and the History of his DeLorean Time Machine
Marty McFly Biography also featuring Biff, George, Jennifer, Loranine
Back to the Future - Hill Valley History
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/2/hill-valley-history
Back to the Future - Detailed storyline
Back to the Future - How to generate 1.21 Giggawatts / Jiggawatts with Mr Fusion
What is a Fat Bike ? And where did the idea of Fat Bikes come from ?
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/1/10/fat-bike-what-is-a-fat-bike-history
The Time Paradox explained - Back to the Future
The Sinclair C5
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/1/9/sinclair-c5-
Mini Jeep Mini Review
https://www.sandstoneproductions.co.uk/blogtothefuture/minicoolsterjeepreview
Hoverboards - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/12/13/hoverboards-
How does the Time Machine work - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/how-does-the-time-machine-work
The DeLorean Motor Company - What did it fail ? Or did it ?
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/whydiddeloreanmotorcompanyfail
The DeLorean Motor Company - History
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/deloreanmotorcompany
The Flux Capacitor - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/fluxcapacitor
Is Time Travel Possible ? And what would it take ? Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/istimetravelpossible
The Time Machine
How does the Time Machine work in Back to the Future ? What did Doc Brown fit to the DeLorean to allow it to Time Travel ? ….. Here we explain the science behind this amazing Stainless Steel Sports car the DeLorean DMC-12 from Back to the Future
How does Doc Browns DeLorean work ? and what equipment did he install ?
It’s very difficult to summarise exactly how all the systems work together / in conjunction with each other. And how individual components work without a extremely long description,
so we have broken this up into 3 sections.
Section 1 list of the components - Section 2 Pictorial overview - Section 3 Long list view.… Warning this subject is Heavy !
Section 1 -
The Nuclear Reactor consists of :
Steam Turbines -Reactor Power Coils - Reactor Coil enclosures - Reactor cooling vents – Reactor Temperature Control - Reactor Power control - Reactor coolant pump - Reactor Pump control - Coolant Return - Reactor Core cooling - Cooling Ring - Reactor Coil exterior - Cooling system control unit - Cooling system Capacitors - Automuffers (suppressed release valves) - Radiation Scrubber Vent - Heat Exchanger Vent - Cooling System Control Unit -Emergency Coolant Tanks - Ceramic separator & conductive spring - Lower reactor coil assembly - Coil Assembly plate - Vacuum Capacitors chamber - 5mw vacuum capacitors - Battery Cell cores - Primary coil in vacuum chamber - Particle accelerator canisters (PAC) - PAC Power Coils - Particle Holding Tank Pre-Heater - Oxygen Supply - Steam feed tube for turbines - Coolant purge tubes - Medium pressure boilers - High pressure boilers
External components consists of :
Temporal Field igniters and flux boxes - Temporal field stabilizers AKA Flux Bands - Mole Richardson power cables - Tachyon pulse generator - Tachyon pulse generator for temporal displacement system -Field ignition coils - Control Circuits - Pulse generators - X Ray Tubes - Surge protector - Power input high voltage - HV Clamps - Booster Coils - Shielded spark gap chamber - Load resistor - Argon-gas Filled tubes - Cathode with spark generator with protective shield – Annode
Flux Capacitor consists of :
Flux Capacitor Exhaust duct - Heat Exchanger Shield - Signal Amplifier / Driver –Temporal Field Gyroscope with Anti-Vibration Mount- Coolant Pump - Heat Exchanger - Particle collider blades - Collision Synchronizers -Geiger-Muller tube (radiation detector) - Tachyon Pulse generator control connected via Canon 32 - Exhaust elbow to external exhaust duct - Time Circuits control - Flux Capacitor coolant
External components consist of :
Nuclear reactor components - Reactor Core - Reactor outer housing - Freon injection nozzles & expansion chamber - Radiation Scrubber - Radiation scrubber vent - Removable spent – Plutonium canister (lead lined) – Generators - Coolant inlet - Steam turbines - Steam exhaust & recycling tubes
(to radiation scrubber) - Coolant purge tubes - Steam Separators - Pressure Equalizer - Turbine Coolant -Primary Equalizer -Turbine Coolant - Primary Hydraulic Hoses - Coolant Return - Pump Control Wires - Steam Release - Hydraulic vent control A - Coolant Reclamation - Flow Control - Steam Separators coolant - Power cables to PAC Coils - Hydraulic Vent control Hose B
Cabin Atmosphere & Fire Suppression
Atmosphere control Regulator - Fire Suppression Bottle - Air Quality & Temperature sensors (canon 30) - Oxygen Supply - Regulated oxygen to torin blower - Torin Blower - Regulated nitrogen to torin blower
Overhead Array
System Indicators Primary - System Indicators Secondary - Power Distribution - Grimes Emergency pull light (Removable)
Cabin Equipment
Time Circuits control junction -Time Circuits warm up relays - Reactor thermal control unit - Torin corporation blower - Flux Capacitor Cabin Atmosphere & Fire Control - Pulse control module - Field containment system display
Dashboard
Signal amplifiers - Digital speedometer - Bulova Alarm clock - Analog – Speedometer - Time Circuits display - TRW Data systems keypad - Coustic EI AM/FM Cassette radio - Rowan Contactors -Airguide auto Compass - Time circuits display components - Time Circuits Display enclosure - Destination Time Display - TRW Data System keypad - Power regulator PCB Heat sink - Time Circuits switch console - Time Circuits Time Circuits computer -Y Handle power switch - Dialco indicator lights ( System on / off ) - Primary Frequency control - DMC Switches - Clare electroseal constant power supply - Motor Run capacitors - High Voltage transformer - Sprague Capacitors - Manual Component control - Manual Emergency coolant release - Rentgens meter panel - Time circuits control cables
Section 2 -
Section 3 -
Nuclear Reactor
Steam Turbines
Reactor Power Coils
Reactor cooling vents
Reactor Temperature Control
Reactor Power control
Reactor coolant pump
Reactor Pump control
Coolant Return
Cooling system control unit
Cooling system Capacitors
Automuffers (suppressed release valves
Radiation Scrubber Vent
Heat Exchanger Vent
Cooling System Control Unit
Emergency Coolant Tanks
Particle accelerator canisters (PAC)
PAC Power Coils
Particle Holding Tank Pre-Heater
Oxygen Supply
Flux Capacitor
Flux Capacitor Exhaust duct
Heat Exchanger Shield
Signal Amplifier / Driver
Temporal Field Gyroscope with Anti-Vibration Mount
Coolant Pump
Heat Exchanger
FLUX system
Particle collider blades
Collision Synchronizers
Geiger-Muller tube (radiation detector)
Tachyon Pulse generator control (Canon 32)
Exhaust elbow to external exhaust duct
Time Circuits control
Flux Capacitor coolant
Steam Separators
Pressure Equalizer
Turbine Coolant
Primary Equalizer
Turbine Coolant
Primary Hydraulic Hoses
Coolant Return
Pump Control Wires
Steam Release
Hydraulic vent control A
Coolant Reclamation
Flow Control
Steam Separators coolant
Power cables to PAC Coils
Hydraulic Vent control Hose B
Cabin Atmosphere & Fire Suppression
Atmosphere control Regulator
Fire Suppression Bottle
Air Quality & Temperature sensors (canon 30)
Oxygen Supply
Regulated oxygen to torin blower
Torin Blower
Regulated nitrogen to torin blower
Overhead Array
System Indicators Primary
System Indicators Secondary
Power Distribution
Grimes Emergency pull light (Removable)
Cabin Equipment
Time Circuits control junction
Time Circuits warm up relays
Reactor thermal control unit
Torin corporation blower
Flux Capacitor
Cabin Atmosphere & Fire Control
Pulse control module
Field containment system display
Dashboard
Signal amplifiers
Digital speedometer
Bulova Alarm clock
Analog
Speedometer
Time Circuits display
TRW Data systems keypad
Coustic EI AM/FM Cassette radio
Rowan Contactors
Airguide auto Compass
Time circuits display components
Time Circuits Display enclosure
Destination Time Display
TRW Data System keypad
Power regulator PCB Heat sink
Time Circuits switch console
Time Circuits Time Circuits computer
Y Handle power switch
Dialco indicator lights ( System on / off)
Primary Frequency control
DMC Switches
Clare electroseal constant power supply
Motor Run capacitors
High Voltage transformer
Sprague Capacitors
Manual Component control
Manual Emergency coolant release
Rentgens meter panel
Time circuits control cables
External Components
Nuclear reactor components
Reactor Core
Reactor outer housing
Freon injection nozzles & expansion chamber
Radiation Scrubber
Radiation scrubber vent
Removable spent – Plutonium canister (lead lined)
Generators
Coolant inlet
Steam turbines
Steam exhaust & recycling tubes (to radiation scrubber)
Coolant purge tubes
Coolant purge tubes
Steam feed tube for turbines
Medium pressure boilers
High pressure boilers
Reactor Core cooling
Cooling Ring
Reactor Coil exterior
Reactor Coil enclosures
Reactor coils
Ceramic separator & conductive spring
Lower reactor coil assembly
Coil Assembly plate
Vacuum Capacitors chamber
5mw vacuum capacitors
Battery Cell cores
Primary coil in vacuum chamber
External
Temporal Field igniters and flux boxes
Temporal field stabilizers AKA Flux Bands
Mole Richardson power cables
Tachyon pulse generator
Tachyon pulse generator for temporal displacement system
Flux Band components
Field ignition coils
Control Circuits
Pulse generators
X Ray Tubes
Surge protector
Power input high voltage
HV Clamps
Booster Coils
Shielded spark gap chamber
Load resistor
Argon-gas Filled tubes
Cathode with spark generator with protective shield
Annode
Follow our Hashtags …..
#backtothefuture #martymcfly #delorean #bttf #s #docbrown #michaeljfox #dmc #deloreantimemachine #timemachine #christopherlloyd #fluxcapacitor #hillvalley #outatime #timetravel #mcfly #movie #hoverboard #movies #deloreandmc #greatscott #backintime #art #backtothefuturetrilogy #bifftannen #bhfyp #timemachine #mcfly #marty #docbrown #greatscott #fluxcapacitor #christopherlloyd #backtothefuture2 #backtothefuture1 #backtothefuture3 #dmc12 #deloreantimemachine #deloreandmc12 #BTTF #bttf1 #bttf2 #bttf3 #time #timecircuits #docbrown #1980s #popculture #props #flux #fluxbands #glow #giggawatts #jiggawatts #1.21 #power #mrfusion #howitworks #howthetimemachineworks #timemachinecomponents
To find out more fun Future Facts by clicking our Blogs below……….!!! Please Share …..
Ghostbuster - Ecto 1
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/3/31/ghostbusters-ecto-1
Cars of Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/10/the-cars-of-back-to-the-future-55-
Back to the Future Fashion
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/19/back-to-the-future-fashion-te2yx
Ariel Leader
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/17/ariel-leader
Back to the Future - Hill Valley History
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/2/hill-valley-history-jxrr4
Back to the Future Gadgets and Trends we have in 2021
Doc Browns Biography and the History of his DeLorean Time Machine
Marty McFly Biography also featuring Biff, George, Jennifer, Loranine
Back to the Future - Hill Valley History
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/2/2/hill-valley-history
Back to the Future - Detailed storyline
Back to the Future - How to generate 1.21 Giggawatts / Jiggawatts with Mr Fusion
What is a Fat Bike ? And where did the idea of Fat Bikes come from ?
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/1/10/fat-bike-what-is-a-fat-bike-history
The Time Paradox explained - Back to the Future
The Sinclair C5
https://www.sandstoneproductions.co.uk/blogtothefuture/2021/1/9/sinclair-c5-
Mini Jeep Mini Review
https://www.sandstoneproductions.co.uk/blogtothefuture/minicoolsterjeepreview
Hoverboards - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/12/13/hoverboards-
How does the Time Machine work - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/how-does-the-time-machine-work
The DeLorean Motor Company - What did it fail ? Or did it ?
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/whydiddeloreanmotorcompanyfail
The DeLorean Motor Company - History
https://www.sandstoneproductions.co.uk/blogtothefuture/2020/11/22/deloreanmotorcompany
The Flux Capacitor - Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/fluxcapacitor
Is Time Travel Possible ? And what would it take ? Back to the Future
https://www.sandstoneproductions.co.uk/blogtothefuture/istimetravelpossible
Back to the Future Fashion
The clothing and accessories that people wear are a distinctive part of the popular culture. Clothing styles change not only with the time period, but also communicate one's social class and occupation. Those who don't dress appropriately are often viewed as outcasts or rebels, or at the very least, odd and out-of-place, so Marty McFly's clothing proved to be an endless source of embarrassment for him during his adventures, in spite of Dr. Emmett Brown's attempts to be prepared.
They generally had three options when they traveled from one time period to another:
They purchased and changed clothes after arriving in a new time period
They tried to find appropriate clothes for their destination before traveling
They neglected to change clothes and just endured the awkwardness of attracting attention.
Note: Outfits are described here under the time periods the clothing came from, which were not necessarily when they were worn.
Back to the Future Fashion
Outfit 1: Marty McFLY
This Marty McFly outfit is probably the most iconic of them all.
Everything from the vintage wash denim jacket and faded dad jeans, to the orange puffer vest, looks as good now as it did back in ’85.
Trainers
They’re the overwhelmingly popular Nike Killshot 2 which was originally released in the ’80s and saw a surge in interest when it re-released in 2009, and subsequently in 2014 in collaboration with J.Crew.
Denim Jacket:
Quilted Vest:
Tennis Sneakers: Nike Killshot 2 (They’re the overwhelmingly popular Nike Killshot 2 which was originally released in the ’80s and saw a surge in interest when it re-released in 2009, and subsequently in 2014 in collaboration with J.Crew)
Aviator Sunglasses: RayBan
Retro Calculator Watch: Casio
Marty
"Life preserver" First day of school in 1955
Marty wore a red and gray jacket (that he took off in the school cafeteria), white shirt with light blue rectangles, brown pants, brown loafers (slip- on shoes), and had hair tonic in his hair.
"Darth Vader"
The day of the skateboard chase – Marty wore the same red and gray jacket, this time with a black shirt with red chain link pattern, brown pants and Converse Chuck Taylor All-Star shoes.
"That zoot suit"
Marty wore a gray wool suit, a white shirt and narrow red tie, that afterwards he called a “zoot suit”. "Get yourself some 50’s clothes ... something inconspicuous!"
—Doc to Marty
Marty in his "inconspicuous" disguise.
"Something inconspicuous"– Marty chose an “inconspicuous” outfit to cover his basic outfit; he added a black felt fedora hat, black leather jacket and dark sunglasses. When Biff confronted Marty, he referred to the outfit as "that stupid disguise".
After getting to Biff's car, Marty took off his sunglasses. At the Enchantment Under the Sea dance, Biff's gang member Match wondered how he changed his clothes so fast. After being knocked down by a door as his other self ran through it, and when Biff stole back the almanac, Marty was forced to abandon the fedora, which had fallen off his head. When taking Doc back to his mansion, Marty put the jacket and Nikes by the fireplace, along with the letter, so they could dry off.
At the Delgado Mine – Marty wore the same clothes as the day of the skateboard chase, and added a tan overcoat.
Marty's 1955 western outfit
"Clint Eastwood never wore anything like this" – Doc prepared Marty to travel to 1885 with a pink and blue shirt with long, yellow fringe running along the chest, back and sleeves, under five embroidered atomic model designs on the front and back of his shoulders, a red bandana around his neck, red corduroy pants, an ornately tooled belt with golden sunburst buckle, white Nike sneakers, and carried along a white cowboy hat and boots that were too tight.
Outfit 2: Biff Tannen
Oh Biff — the mild mannered, charismatic antagonist of the Back To The Future trilogy.
Contrasting shirt tie combo, for the pants I tailored wool (herringbone) trousers. And for the shoes, black leather with white soles to complement the shade of the knit tie.
· Bomber Jacket: (alt) Grey
· Charcoal Wool Trousers
· Black Oxford Shirt
· Grey Knit Tie
· Black Minimalist Sneakers
Outfit 3: George McFly
The timid George McFly
· Harrington Jacket: ASOS
· Olive Corduroy Pants: Everlane
· Grey Oxford Shirt: Everlane
· Black Frame Eyeglasses: Warby Parker
· Navy Suede Chukka Boots: Thursday Boot Co.
Outfit 4: Emmett Lathrop ‘Doc’ Brown
Doc Brown, the effervescent inventor of the first time machine, built out of a DeLorean sports car.
Often in a state of shock and awe, Doc had some questionable outfits throughout the series.
· Khaki Trucker Jacket: Flint and Tinder (alt)
· Slim Fit Alpha Khaki: Dockers
· Stripe Polo Shirt: Amazon Essentials
· Suede Sneakers: Koio
“…your future hasn’t been written yet. No one’s has! Your future is whatever you make it. So make it a good one!”
https://www.gentlemanwithin.com/back-to-the-future-fashion/
The clothing and accessories that people wear are a distinctive part of the popular culture. Clothing styles change not only with the time period, but also communicate one's social class and occupation.
Clothing in 1985
"C'mon, I had to change! You think I’m going back in that-- that zoot suit?"
—Marty
Basic outfit –
During most of his adventures, except when he changed clothes in 1955 and 1885, Marty wore Guess blue jeans with black 3/4" suspenders, a red t-shirt, lavender ("purple") Calvin Klein underpants, and white Nike Bruin shoes with red swoosh and backtab
(no word Nike on them until he visited 1885) with gray socks (changed to white socks when he visited 2015).
School outfit –
From Friday before school through his first day in 1955, Marty added a Guess Marciano two-tone blue denim jacket with an "Art in Revolution" button, a Fender P-Bass pin and a white checked Shah Safara shirt to his basic outfit.
He accessorized this with a Casio CA50W digital watch on his left wrist, a silver Aiwa model HS-P02 Walkman, and mirrored Zeiss aviator sunglasses with a sweatguard in the morning.
"Life preserver" – From the evening at Twin Pines Mall through his first day in 1955, Marty added a dark orange Class-5 bubble down vest to his school outfit.
Tales From Space – Doc gave Marty a yellow full-length radiation suit for protection when loading the plutonium. Due to the similarity of his outfit to that of a space alien on a comic book cover, his outfit scared the Peabody family and an elderly couple driving past Lyon Estates in 1955.
"Darth Vader" – Marty wore the yellow full-body radiation suit, a hair dryer from Doc Brown's suitcase tucked into a belt, and held his Aiwa portable stereo cassette player.
Doc Brown
"Devo outfit" – Doc wore a white full-length radiation suit, over a green print shirt, white undershirt, black pants and orange Nike Vandal high-top shoes. He also had a watch on his left arm, and digital stopwatch on a lanyard around his neck.
Train shirt – While in 2015, Doc changed back to 1985-style clothing, a yellow Hawaiian shirt with a cartoon train pattern and brown cargo pants, expecting to return Marty, Jennifer and Einstein back home right away.
Jennifer "Hey Mom, nice pants" -
Jennifer wears a blue vest over a white shirt and has pink flower pants.
Other distinctive clothing of 1985
§ Dave wore a uniform for his job as a Burger King restaurant server.
§ George owned a suede jacket.
§ Biff wore a green warm-up outfit on Saturday; a purple warm-up outfit on Sunday.
Clothing in 1955
Biff
"Biff" - On Saturday, Biff wore a red short-sleeve pullover shirt.
School - At school, Biff wore blue jeans and a shirt with a checked red and white pattern.
For the rest of the week, Biff wore a grey jacket, a white T- shirt and black pants. He added a black shirt and a white tie for the Enchantment Under the Sea dance.
Lorraine
"You’re so ... thin" –
On Saturday, November 5, Lorraine wore a pink and purple plaid dress which had a rounded collar, a matching belt around the waist, and a pink bow at the neck. She also wore white socks.
School –
At school, Lorraine wore a blue blouse with a silver brooch and a purple pencil skirt. She also wore her hair in a bun.
"I think you'd look better wearing nothing at all"
On Saturday, November 12 at Ruth's Frock Shop, Lorraine wore a pink knitted sweater, saddle shoes and a novelty black cotton giraffe-print circle skirt which Biff lifted up to expose her panties once outside the shop.
"Well, lookee what we have here"
At the Enchantment Under the Sea dance, Lorraine wore a pink strapless dress, bought with Babs at Ruth’s Frock Shop, which she covered with a white sweater. When she leaned over in the car, Biff was able to see down the front of her dress.
Doc
On Saturday evening, Doc wore a silver robe with black lapels, white shirt, and white knit tie, and dark pants. During the rest of the week, he wore a long white laboratory coat, and put on a pair of green safety goggles when demonstrating the clock tower model. The following Saturday, as he tried to connect the electrical cable, Doc was wearing shoes with Velcro closures that had not yet been invented,[5] although he might have found them in his future counterpart's suitcase.
Other distinctive clothing of 1955
§ Milton Baines wore a coonskin cap, popularized by Disney’s Davy Crockett films.
Clothing in 2015
"First, you have to get out and change clothes."
—Doc to Marty upon arrival in 2015
Doc in his 2015 yellow coat.
Doc Brown
* Marty in his future son's outfit.
"Marty, you’ve got to come back with me"
Doc appeared in Marty’s driveway wearing a long yellow coat, a red shirt with Japanese symbols (no undershirt), silver wraparound glasses with internal video display, and a plastic transparent necktie.
Train shirt – (See: 1985 Doc Brown)
Marty
"You're the spitting image of your future son" –
* Marty Jr.’s outfit and Marty’s disguise consisted of an auto-adjusting and auto-drying jacket (though Marty Jr.'s jacket was broken on the left sleeve), blue jeans worn inside-out (Marty only turned his pockets out), white socks, white Nike MAG power-lacing shoes and a color-shifting lenticular baseball cap.
Marty Jr. wore a white t-shirt with a logo featuring a plus and minus sign. 47-year-old Marty wore a brown business suit over a light brown shirt and brown and yellow multiple ties with rising sun motifs.
Biff
Biff's outfit consisted of a red quarter zip sweatshirt and black, white and green plaid pants.
Griff
Griff's outfit consisted of a helmet with sharp metal spikes, a black-ribbed light green jacket over a black chainmail shirt, black pants and black boots adorned with a sharp metallic rhinoceros-like horn.
Marlene
Other distinctive clothing of 2015
§ Multiple ties worn by Terry, Goldie Wilson III and Marty Sr.
Clothing in 1985A
Lorraine
Lorraine Baines McFly, aged 47, in 1985A clothing and breast implants.
"You’re so ... big" – Lorraine Baines McFly wore a black, belted pant suit with patterns of multicolored dots, and high heeled shoes. The blouse had a low neckline revealing her breast implants.
Biff
Although Biff was fabulously wealthy as a result of his cheating with the almanac in 1985A, his sense of dress was still tacky as the Biff of the original timeline. His outfits were gaudy and ugly, with gold chains and bright blue blazers, giving him the appearance of a lounge lizard. After coming out of the hot tub, Biff wore a blue bathing robe over black swim shorts.
Other distinctive clothing of 1985A
§ Biff's bodyguard Match wore a white cowboy hat.
§ Biff's goon 3-D no longer wore his nominal 3-D glasses as the 3-D movies fad had long since faded by 1985. However, unable to part with the nickname, he wore aviator sunglasses which he had custom made, the left lens to be red and the right lens to be blue.
Clothing in 1885
"You can’t wear those futuristic things in 1885. You shouldn’t even be wearing them in 1955."
—Doc Brown at the Pohatchee Drive-in
Marty
"Clint Eastwood never wore anything like this" – (See: 1955 Marty)
Marty's 1955 western outfit plus hat.
"You sure look like Seamus McFly" – Same as "Clint Eastwood never wore anything like this" (see: 1955 Marty), with a straw derby hat[6]
"Some respectable clothes and a fine hat" – Most of the week, Marty wore a long, blue workshirt, brown jeans, and a brown sarape over long underwear, with a brown flat-topped hat, and boots.[7] The outfit was very similar to the one Marty saw Clint Eastwood wearing in A Fistful of Dollars.
"Go ahead, make my day" – One morning, Marty woke up wearing his long underwear with a half-fastened drop seat, and put on his hat and gun belt to practice in front of the mirror.
Behind the scenes
1955
Bob Gale said that costume designer Deborah Scott found nearly all the clothing for the film in the studio’s wardrobe department; they didn’t have the budget for her to make many original items.[8]
Lea Thompson found the pink dress uncomfortable to wear and even more uncomfortable to dance in, and would walk around the set in the 1950s corset bra and crinoline underskirt to avoid wearing the dress, and once even shocked her mother when she visited her on the set. But despite that, she still hung on to one exemplar of the dress that was given to her, and helped out with the filming of the second movie when the original dress had been lost, and she provided it herself.[9]
The black fedora Marty wore as apart of his 'something inconspicuous' disguise was made by the Stetson hat company, especially for Michael J. Fox.[10]
2015
Costume designer Joanna Johnston said she was terrified at the prospect of designing the clothing of the future, making costumes for the cast and 150 extras from scratch, since Bob’s concept did not have a basis in anyone else’s work. For a future society in which men and women are truly equal, the clothing styles would exaggerate the difference between the sexes. She decided to use a very wide variety of fabrics in bright "but not fluorescent" colors.[11]
1885
Costume designer Joanna Johnston was already familiar with the clothing for the period, having worked on the movie Tess, but found that most of costumes that were made for the Westerns of the '40s, '50s and '60s lacked the authenticity she was looking for. After further research, she created clothing for the main characters and as many as 500 extras based on the original clothing patterns she found.[12]
Back to the Future is being cited as a key fashion inspiration, it will come as no surprise to any fans of the film or, indeed, of fashion.
So much so, in fact, that Eastpak is reissuing the original rucksack Marty travelled through time with this season, sold exclusively at Selfridges (although if you have a DeLorean, you are advised to time-travel and buy one of the 80s originals, as Eastpak is certainly not selling them now at 80s prices).
Marty rocking double denim and high-tops
Marty himself has been something of a hipster template for a while now: the double denim, the checked shirt, the high-tops. If only Marty had arrived in east London 2014 as opposed to Hill Valley 1955 (and, later, 2015 and 1885), he would have fit right in and instantly sparked a sleeveless parka revival.
As for the other characters,
Lorraine Baines (later McFly, then Tannen) has, waist up, a proper Alexa Chung look going on, with her Peter Pan collars and demure little jumpers.
Biff Tannen's sports jackets are definitely in style, for men and women, while George McFly's thick-rimmed glasses have been a fashion staple since the dawn of time (maybe alittle exaggeration there)
As for what Back to the Future fashion pieces the biggest vote has to be for Lorraine's wacky 1955 hairstyle, in which her hair zigzags across her forehead
And honestly? Yeah. The clothing is superb. It doesn’t feel costume-y or try hard like The Great Gatsby or Gangster Squad; in BTTF, the period looks are natural yet interesting, feeling cool but dated.
As this film was made in the 80s, that the period they were parodying (1950s) wasn’t that historical. It was like (literally) looking at pictures your parents wore and checking local thrift stores for clothing ideas.
This all probably contributes to why Hill Valley in 1955 feels real and not filled with some wise-cracking gangster with a down-on-his-luck shoeshine kid.
Clearly, there is a huge difference between menswear in 1955 and 1985, but there are just things that make the 1950’s stand out when compared to other eras, but the 1950’s was a remarkably different than the 1940s.
In this post war time, you had the first inklings of true casual style. Instead of sportcoats as sportswear, you had dedicated garments like Hollywood jackets.
Shortjackets with point collars and bomber styles were extremely popular to wear when you were off work or just a youth.
Jeans and converse were the new go-to for casual pant/shoes, though a few still wore pleated
Hollywood waist gab slacks and derbies. And let’s not forget the explosion of prints (tiki and atomic) and tone-on-tone variations that made sportshirts truly “sporty”.
People today call it the Bold Look for tailoring (due to the heavy shoulder pads and dropped button stance) and Rockabilly for casual style. Either way, it’s pretty cool.
Good examples of the fun casual shirts in the 1950s.
Short jackets of all kinds were common, this time done with fun details.
Great shirts and an epic trouser to boot.
Ties in the 1950’s were more about abstract vertical designs. Some were slim, others were wide.
Leisuire jackets were all the rage.
BTTF gets all of this right, presumably by the use of true vintage (since the patterns and designs are really specific) as according to the wiki, they only used whatever was in Universal’s costume warehouse.
However, warehouses could definitely still make good reproductions! We’ll never know what is true vintage or not, but I’m leaning on the use of true vintage pieces since would only be 30 years old and wouldn’t be hard to source and get in decent condition.
Marty McFly
We all know Marty McFly’s epic 1985 look. Denim jacket on slim high waisted jeans, with a solid colored crewneck under a button up shirt; we also can’t forget the life preserver and white/red Nike Bruin sneakers. It’s a classic outfit that isn’t actually out of place today, since you could wear it at a Halloween costume or as a generic dude in LA (maybe lose one of the layers though).
That period paved the way for “non-traditional” garment mixing that ushered in the current way we approach casual style. Since this is only 15 years from the period of overalls with oxfords or puffers and military chinos, it’s no surprise that wanna-be rocker Marty McFly would also wear something as weird.
However, as we saw in the movie, he stuck out like a sore thumb when he was accidentally sent back in time to 1955. Luckily with a rich heir like Doc Brown as a friend, Marty is able to get some period accurate clothes and fit into this iteration of Hill Valley.
Marty’s first look for a new day in 1955 is a damn good one: every piece is so great. Firstly we can see the two-tone leather-gab jacket with a point collar. Two-tone jackets were popular as youth novelty wear. I’m pretty sure the one in the film is a reproduction, but if you found that as vintage it would be worth a lot.
Underneath the jacket, Marty has a block motif sportshirt that he’s rolled up his sleeves a la James Dean. Patterns like this are what make this era’s shirts so much fun.
He has white socks and penny loafers!
With the shirt, he finishes this perfect 1950’s casual-youth outfit with (presumably) pleated hollywood waist slacks that seem to be made of some silk or rayon blend. providing crunchy/shiny texture that fits in with the era’s obsession with patterns and atomic themes.
Overall, it’s a great uniform to do: sportshirt + high rise trousers + casual jacket. Marty wears the look well, with everything fitting perfectly. In fact, this vibe not only informs some of the looks you can see at Inspiration LA It may not be atomic or tiki, but alohas are certainly in full force in today’s spring/summer. Even the thin belts are coming back.
They need to make prints like this again!
When Marty gets into the epic skateboard chase, he retains the two-tone jacket but brings in a new shirt and pant combo. The shirt, now a red/blue piece with a wild diagonal stripe mixed with oversized squares is an EPIC one. Its a bold pattern, which again makes the 1950’s unique in it’s choice of casual patterns. It just has that retro appeal that I think would look great under a sportcoat, if there were just makers that had it (since a true vintage one would no doubt be expensive).
Note here that he’s now wearing some straight cut blue jeans. It’s different than his slightly acid-washed ones from the 80s, mainly in how it drapes. They’re not overly wide, but moderate, ending with a cuff. They look how I want my jeans to fit with proper drape. Again, Marty kills it.
At some point, Marty swapped his Corteze with black converse. Looks very 50’s when worn with cuffed blue jeans.
Another fun gab sportshirt that is worn untucked with a white undershirt base layer.
Note the two-tone coloring. Very 50’s.
His last major 50’s look is a sportcoat-trouser combo, worn to the Enchantment Under the Sea Dance. We don’t really get a good look at the full cut or details, so we’re left wondering if this is a true 50’s jacket (or designed like it) or something from the 1980s that they tried to pass off.
The choice of odd trouser, a charcoal grey fleck Again, this was a time of exploring fabrics and cuts in the realm of tailoring, and while illustrations may keep everything clean, photographs from the era showed that the youth always had a mishmash of things. It’s probably because they didn’t have dozens of trousers to begin with.
The wide cut may be inspired by the zoot suit (Marty does reference it in the film, but zoot suits were more of a 40s thing IIRC), but he rocks it all the same.
Since you get to see it in full force (along with white socks and black two-tone derbies) while he’s playing the guitar, perhaps it’s his way of exuding that rebellious rocker chic in 1955. He certainly stood out amongst the crowd!
Doc Brown
We don’t really get to see much of Doc Brown’s attire until Marty goes to visit him in 1955; Doc is just in a white jumpsuit in the Lone Pine Mall.
When Marty visits him, Doc seems to wearing a variation on what we’d expect a well-to-do heir would wear at home. A pink shirt (the 1950’s loved color, if you couldn’t already tell) and a white single stripe tie are fun nods to the fact that he’s an adult, but you get the affluent charm with an epic silver dressing gown.
With a scale-esque texture and it’s moderate black satin peak lapels (echoed by the pocket piping), it definitely has that post-war fun vibe.
When Doc goes with Marty to Hill Valley High to check out Marty’s parents, Doc has on a very typical “casual man” outfit. The tiki shirt is a no brainer at this point, but note the cool gab jacket he has on.
It’s definitely some form of leisure jacket with modest lapels, patch pockets, and a fun little monogram on the patch. Jackets like this were casual but they clearly took after the classic sportcoat design; it looks smarter than simply wearing a leather jacket or gab short jacket.
Also take note of his straw fedora (I don’t think it’s technically a panama hat). Instead of the traditional black band, he instead has an abstract design as a ribbon, which was a common trend in the 1940s-1960s for straw hats. It also just makes the hat much more casual, which is one of the reasons why it’s hard to wear fedora-type hats often.
Flecked trousers. The 1950s loved fleck.
A checked asymmetrical sportshirt with a yolked pocket flap.
Look at Doc’s weird shirt! Super cool and novelty style that was popular in the late 40s-50s. Finding one today would be rare and expensive.
Doc Brown’s last outfit in 1955 is hard to make out, as he wears an balmaccan style rain coat for the climax, but his polo-style shirt deserves some recognition. Like so many other pieces we’ve seen, the shirt features a fun print, consisting of red and black squiggles.
The shirt has a contrast collar/placket and cuffs, which again fits in with many of the stylistic choices of the era. I’m not sure if I would wear it today, but more brands should definitely take a page out of the era and make something “new”!
Marty’s dad, at least this version of him, dresses like a dweeb because he is a dweeb. It’s supposed to be 1985, where RL and other mall clothes are in full swing, and yet he dresses like a caricature of a 1960’s accountant.
Short sleeve shirt, repp tie, pen pockets, and browline glasses, all contribute to it. I mean I’ve worn socks and shorts together, but I don’t think it looked this bad.
I mean, it makes sense since the film is portraying George as someone who is unlucky, who gets bullied, and gathers no respect.
A flecked short jacket.
In 1955, George McFly actually dresses pretty decently! He’s not exactly sticking out like a nerdy sore-thumb. Like Marty, he wears a few different sportshirts and short jackets, though in comparison, they’re much more plain. George could also benefit with a better fit, but it’s not terrible. At least in most cases.
What George does make a habit of doing is wearing his sportshirts fastened all the way to the top. Now this was done back in the day, but based on photos and illustrations, sport collars were definitely best worn open.
It’s a nerd thing to do that came back in the mid 2010s as the “air tie” and always results in the wearer looking “closed up”. And since George is a nervous guy with no friends or confidence, it works perfectly.
I like the checked cloth and red buttons.
In one scene, George actually wears a two-tone Hollywood Jacket! Like with Doc’s ivory jacket, these are meant to be a casual-yet-tailored approach to casual wear. You’ll see that the cut and design are similar to a chore coat’s, just with shoulder pads and “formal” cloth.
George’s brown gab short jacket has shoulder pads and is a size or two too big for him. Also see how he’s got his shirt buttoned all the way up.
An interesting cotton short jacket with a wider collar and hand warmer pockets. Very cool.
George goes all out for the dance, mainly because it’s his big moment to “save” Lorraine. A white dinner jacket and black tie is hard not to separate from James Bond (or Casablanca), and its actually the first time George wears something that fits him well. It’s still in the 1950’s aesthetic, so he has padded square shoulders, a low button stance, and closed quarters.
When we return to good ol’ modified 1985, accounting-nerd George has been replaced by a true chad version. There are no short sleeve shirts and browline shades here. Instead, he has a very 80s biz-caz outfit consisting of a moleskin blazer, vibrant red polo, and pleated slacks. It’s not bold, but since this is a “normal” outfit, it contrasts against George’s first appearance.I also love the aviators for max 80s cool.
Biff Tannen
Biff. When we first see him, his commandingly bold 70’s outfit just screams like a guy who peaked in high school and still bullies others. Which is definitely true.
It’s such a weird look that actually has some prep vibes to it, mainly with the use of a navy brass button blazer and plaid odd trousers; I think I may even see a white braided belt.
1985 Biff actually dresses rather “normal” for the era, though he stands out for his boisterous character and sheer Kingpin-like aura.
It’s all just sportshirts, white crewneck tees, and jeans, nothing to write home about. but with it just being done with jeans and sneakers, it feels boring, mainly because its an easy way to do a 1950s look. It’s easy to replicate, but don’t forget that a sportcollar makes a world of difference; a regular standing collar wouldn’t achieve the same effect.
I guess the point is that Biff is just a regular old bully, contrasting against George’s plain looks that utilize jackets and Marty’s much more interesting take on the era.
Biff’s jacket of choice is a bomber style one that has black contrasting collar and cuffs. Can’t you see how popular two-tone clothing was in those days? Like Marty’s leather jacket, this one also ends around the waist, but instead of it just being a plain bomber design, Biff’s jacket has decorative front pleating. Don’t ask why, it’s just for show.
Like with the shirt patterns, I wish we also had more vintage-inspired jackets like this!
A black shirt and bold tie? I guess stereotypical prom style was a thing even in 1955.
Others
Strickland has a bowtie and suit, but if you look closely, the suit is very 80s with wide shoulders, open notch and low buttoning point.
In 1955, he has a suit that clearly has more weight and features a fun shadow stripe, a common thing for vintage suits.
Ivy style isn’t really in the film other than the committee deciding on the band. 80s ivy is just like 70s ivy tbh: just a more exaggerated and bold version of 60s ivy.
Goldie Wilson also wears a bar motif sportshirt, though with the wide collar, it might be from the 40’s. That makes sense, since he might not have access to current fashions.
Lorraine’s dad wears a car coat (an overcoat with a shorter length). He has a fedora, which gives him an “adult” look. Not sure if the trouser fit is right though.
As can be expected, Lorraine’s dad has a gab sportshirt. The shorter collar points and higher buttoning point is period accurate to the 1950s.
So much great stuff here, from the faded, cuffed denim and saddle shoes to the absolutely epic novelty knitwear. I’m very glad that the youth have a variety of style!
Striped shirts are what kids wore back then, not flat caps, plus-fours, and suspenders.
Biff’s gang all have variations on casual style. Is that a knit tee I see? Wish we could see the ribbing!
More variety in style here and it all looks period. Love the kid’s pastel blue pleated pants, the red sweater, and what I think is a Cub Scout uniform. Check out that tiny brimmed hat!
Marvin Berry and the Starlighters all wear 50’s silk dinner jackets with their quintessential square shoulders and low button stance. Instead of bowties, they have matching continental bow ties.
Great short jacket.
Conclusion
BTTF is a great example of a movie that makes 1950’s clothing seem accessible and easy. There isn’t a big focus on tailoring, which probably makes it much more palatable. Instead, we see casual 50’s, rockabilly-esque style, which informs a lot of the heritage-Americana that is so easy for guys to wear. Sportshirts and cuffed jeans should get you through the most of it.
The real way to make it interesting is by checking out how Marty does it. Instead of plain shirts, he wore fun patterns that made his attire stand out among the others. It might be vintage and dated, but I certainly love the personality they bring to an outfit, especially since today you can refine it by wearing with loafers or a sportcoat instead of on its own.
Bonus points for those epic two-tone jackets (or leather jackets in general). I’m not sure if the world is ready for the return of hollywood jackets, but after the rise of chore coats and safaris, maybe there’s room for it.
Overall, I think a lot of guys who are searching for a more interesting way to dress can take some cues from this. BTTF did a great job and since it didn’t go too crazy (note the lack of flat caps, which if included would just be inaccurate), it comes off as classic and actually wearable.
I love this movie and I hope you enjoyed this dive into the costuming
Always a pleasure,
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References
1. ↑ http://www.bttf.com/forums BTTF.com Message Board
2. ↑ http://www.bttf.com/forums BTTF.com Message Board
3. ↑ http://www.bttf.com/forums/topic.php?tp=38901-I+FOUND+IT%21+This+is+like+finding+the+holy+grail...+I+have+found+the+Marty+McFLy+Vest%21%21%21#
4. ↑ BTTF III novel, p. 38, 39
5. ↑ Velcro 50th Anniversary : Timeline, see "1985".
6. ↑ BTTF III novel, p. 73
7. ↑ BTTF III novel, p. 98, p. 205
8. ↑ Feature Commentary with Bob Gale and Neil Canton, Part I, at about 1:10.
9. ↑ Gaines, Caseen, We Don't Need Roads: The Making of the Back to the Future trilogy, p. unknown
10. ↑ http://www.icollector.com/Back-To-The-Future-2-Marty-s-Something-Inconspicuous-Fedora-Michael-J-Fox_i20788290
11. ↑ Klastorin, Michael, and Sally Hibbin, Back to the Future: The Official Book of the Complete Movie Trilogy, p. 71-72.
12. ↑ Klastorin, Michael, and Sally Hibbin, Back to the Future: The Official Book of the Complete Movie Trilogy, p. 60-61.
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